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Ale Demogli

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Primary Instrument: Guitar

Ale Demogli

Ale started playing piano at the age of 6, and when he was 13 switched to guitar. He studied in argentina with Maria Concepcion Patron, Pino Marrone, Marcelo Mayor and Walter Malosetti. After being awarded with two scholarships at Berklee College of Music (at the age of 22), a few years later he came back to his native Buenos Aires (Argentina). In the states he Studied with: Charlie Banacos, Pat Martino, Hal Crook, Mike Goodrick, Ed Tomassi, George Russell, George Garzone, Jeff Friedman, Greg Hopkins, etc) In 2001, He returned to the states and he was awarded by New England Conservatory with the NEC Merit Award and the Best Scholarship....
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Awards

Two Awards from Berklee College of Music Best Scholarship and Grant Aumentation as well as two Awards from New England Conservatory NEC Merit Award and Best Scholarship
Eric Benson,(Down Beat) Demogli, Greene, and Giunta play with an intensity that's at once incendiary and elegant. This album is a rich conversation between three virtuoso voices who speak with passion, respect, and wisdom

/(Down Beat - February 2008) virtuoso guitarrist Ale Demogli

/4 Stars! Cuardenos de Jazz (Spain), Nov-Dic 2007,# 103

  • 3:30

    Self Produced
    2008

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Primary Instrument:
Guitar

Willing to teach:
Intermediate to advanced students

Credentials/Background:
A clinician and former instructor at EMU, and Conservatory around South America, Demogli has also been writing instructional articles on jazz guitar and improvisation for Music Expert, Music Shop, el Guitarrista and El Musiquero magazines for over the last 6 years.

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Klein electric guitar, Gibson 345 TD, Takamine Hirade HD90, Salmone custom made. Amps: Fender The Twin, Fender Ultra Chorus, Politone Mini S-12, Politone Mini S-15. effects:Lexicon LP-1, Digital Delay Boss DD-5, Super Chorus Boss CH-1, Ibanez Tube Screamer TS9, Whammy Digitech XP 100, Preamp Art Tube MP, Preamp L.R.Bagg Acoustic D.I, Volume Pedal Ernie Ball.

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Live Reviews

Friday Night at Thelonious

CD/LP/Track Review

3:30 by Michael P. Gladstone

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