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Antonio Carlos Jobim

Primary Instrument: Piano

Born: January 25, 1927 | Died: December 8, 1994    

Antonio Carlos Jobim

It has been said that Antonio Carlos Brasileiro de Almeida Jobim was the George Gershwin of Brazil--and there is a solid ring of truth in that, for both contributed large bodies of songs to the jazz repertoire, both expanded their reach into the concert hall, and both tend to symbolize their countries in the eyes of the rest of the world. With their gracefully urbane, sensuously aching melodies and harmonies, Jobim's songs gave jazz musicians in the 1960s a quiet, strikingly original alternative to their traditional Tin Pan Alley source.

Jobim's roots were always planted firmly in jazz; the records of Gerry Mulligan

Gerry Mulligan
Gerry Mulligan
1927 - 1996
sax, baritone
, Chet Baker
Chet Baker
Chet Baker
1929 - 1988
trumpet
, Barney Kessel
Barney Kessel
Barney Kessel
1923 - 2004
guitar, electric
and other West Coast jazz musicians made an enormous impact upon him in the 1950s. But he also claimed that the French impressionist composer Claude Debussy had a decisive influence upon his harmonies, and the Brazilian samba gave his music a uniquely exotic rhythmic underpinning. As a pianist, he usually kept things simple and melodically to the point with a touch that reminds some of Claude Thornhill, but some of his records show that he could also stretch out when given room. His guitar was limited mostly to gentle strumming of the syncopated rhythms, and he sang in a modest, slightly hoarse yet often hauntingly emotional manner....
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Source: All Music Guide

  • Tom Pra Dos - Tom For Two
    Naim Label
    2008
  • Tom Feminino: Elas Cantam - Female Voices Sing
    Naim Label
    2008
  • Tom Masculino: Eles Cantam - Male Voices Sing
    Naim Label
    2008
  • Samba, Saudade & Bossa Nova
    Naim Label
    2007
  • Orfeu Da Conceicao E Outras Historias
    Naim Label
    2007
  • Wave
    Naim Label
    2007
  • For Lovers
    Naim Label
    2007
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