Born: March 1, 1930 | Died: June 26, 2010
Born in New Orleans, Powell is, perhaps, best known for his 12-year tenure (1951-63) with Count Basie, and for his eight-bar contribution to the Count's all-time big hit, April in Paris. But more than that, Powell, in his all-too-rare solos with the Basie band, displayed a blues-laced, story-telling approach to improvisation. Check out, for instance, his masterfully balanced two-chorus statement on Blues Backstage from 1954, or In a Mellotone, recorded in a live performance five years later.
After leaving Basie, Powell embarked upon a rich, diverse musical career. A versatile and accomplished player, he has worked extensively on Broadway, television, and on numerous recordings....
Source: Bob Bernotas
AwardsNumerous distinguished awards and recognition.
--Makin' Music NY
Last year, jazz writer Andrew Velez & Benny gave us permission to reprint a great article entitled, Benny Powell: Trombone Titan.
Additionally, here are links to a few articles written about Benny by jazz writer Bob Bernotas:
Benny Powell's playing has always had a flowing coherence --Nat Hentoff
“Be assured [NEXTEP] is no trip down nostalgia lane. Overflowing with strong, original music, it is absolutely first class all the way.”
“He is a consummate professional and true trombone giant.”
--Jazz Player Magazine
“He’s still out there offering an abundance of music worth hearing...tinged by New Orleans, South African, Brazilian and Caribbean rhythms, the blues and bop..., and is clearly not slowing down.”
“It's not terribly common to have a trombone in front of an ensemble, and it's a special treat when a trombone actually works in the front of an ensemble.”
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