Born: March 31, 1905 | Died: February 23, 1953
By the mid 1930’s, there had been a significant change in the nature of blues piano. The piano blues and boogie-woogie of the “first generation” pianists had for the most part been a series of solo performances, augmented occasionally by perhaps a guitar. Boogie was a folk music; centered in a Northern city and always closely related to urban surroundings, but it still retained a certain flavor of its Southern and Mid-Western origins. The boogie-woogie and slow piano styles, deeply rooted in the tradition of the twelve-bar blues, laid the firm foundations on which the new form of an old music was based. And of these pianists none was the peer of Major “Big Maceo” Merriweather....
Source: James Nadal