Bob Rodriguez

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Primary Instrument: Piano

Bob Rodriguez

Critically acclaimed pianist Bob Rodriguez is one of the most distinctively imaginative musicians in contemporary Jazz today. Possessing a refined virtuoso technique, extraordinary harmonic sensibility and an incomparable approach to his instrument that melds aspects of European classical and Latin music with modern Jazz, Rodriguez's performances and recordings of his own compositions and interpretations of standard material have distinguished him as a truly original pianist with his own tale to tell.

Born in Cleveland, Ohio, Rodriguez began studying classical piano as a child. At 15, after hearing Teddy Wilson on the radio, he was inspired to write an original blues, revealing a nascent aptitude for composition and prompting his teacher to send him to his first Jazz instructor, Hank Kahout, an expert on Wilson and Art Tatum, who was a stride piano specialist. Next, he studied privately with Bill Gidney, a bebop pianist who had accompanied Charlie Parker. Rodriguez studied harmony formally at the Modern Music School of Cleveland with Phil Rizzo (a former Stan Kenton arranger) and twelve tone composition at Baldwin Wallace University. Later, he attended Akron University, where he spent time analyzing modern classical techniques under the tutelage of Pat Pace, who had written arrangements for Miles Davis....
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In 2007, Bob received a prestigious $15,000 grant from the Doris Duke Foundation and Chamber Music America to compose and perform a new work for Tina Marsh's innovative new 10 piece ensemble, aka Creative Opportunity Orchestra based in Austin, TX.
…”a combination of harmonics and delicate melodies both strikingly beautiful and hauntingly ethereal.” Elliot Simon-AllAboutJazz-New York, April 2009.

Recommended New Release “Portraits” April 2009 Andrey Henkin, Editorial Director, AllAboutJazz-New York.

“What distinguishes Rodriguez from countless other jazz pianists covering the same material is a preference for pulling the songs into new terrain”. - Cadence Magazine

“Rodriguez' versatility spans the languid and the stormy; the trio evokes the Bill Evans-Scott LaFaro-Paul Motion group... impressionistic bop to romping post bop...” - Midwest Jazz Magazine

'In addition to a clear classical delicacy in Rodriguez's stylistic touch, there is an underlying strength within the twists and turns of his voicings and the textures he develops with bassist Mike Richmond and drummer Eliot Zigmund. The end product is an intriguing trio sound that is, largely, unlike anything on the scene.' **** Will Smith, Down Beat Magazine

'With 'Corridor' Bob Rodriguez takes his place among such lyrical keyboard artists as Keith Jarrett, Richie Beirach, Fred Hersch and Brad Mehldau.' Berman Jazz Music Foundation/Tom Ineck

***(*) Mist, “A rewarding and idiosyncratic addition to the piano-trio literature... Rodriguez has a lovely touch ...” - The Penguin Guide to Jazz on CD

Praise for Bob Rodriguez and Portraits - Pianist 'Bob Rodriguez is that rara avis, even in jazz, a constantly interesting improviser. “When playing in a solo situation,” he says, “you are committed after the first note. You are ‘in the music’ and you just go with it.” Rodriguez has a kind of inner GPS that plots his musical ventures unerringly. His new release, the solo album Portraits, beautifully refashions the harmonics of well-known ballads and originals, including a nod to one of his favorite l9th composer-improvisers, Frederic Chopin (“Frederico”). No mere technocrat of the music, Rodriguez, balances a delicacy of touch with a passionate sense of discovery. Bob Rodriguez is a musician’s musician, and a listener’s delight'.

by Linda Dahl

Linda Dahl is the author of a number of acclaimed books about jazz, including Haunted Heart and Morning Glory. Most recently, she wrote about the jazz pianists Hazel Scott and Dorothy Donegan for a forthcoming collection by Harvard University Press.

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    CreOp Muse

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Primary Instrument:

Cresskill, NJ

Willing to teach:
Intermediate to advanced students

I have given Master Classes in Jazz Piano and improvisation at Julliard, and in schools throughout the New York area. Wheaton College in Norton Mass., University of Texas, and many other colleges and high schools as part of a tour. I also teach online, where a pianist can either send me a piece that they are working via an email attachment, or by mail . The student states on what their goals are and then I make comments on their interpretation. I then play the same piece using their ideas and goals as my basis for an arrangement. I send the student either by email or mail, the music and recording of my arrangement of their piece plus an explanation of what I have done. Students have enjoyed this approach because they can keep an extensive file on lessons and track of their progress. I also teach via Skype. For more information, please visit my

Clinic/Workshop Information:
Master Classes in Jazz Piano Styles. Starting from Ragtime and playing and talking about the most influential jazz pianists of the 20th century.

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CD/LP/Track Review

Portraits by Elliott Simon

Portraits by Glenn Astarita

Corridor by Jim Santella

Corridor by John Kelman

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