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Bruce Eskovitz

Jazz Composer/Saxophonist, Dr. Bruce Eskovitz was eleven years old when he fell in love with the sound of the tenor saxophone, and by the age of thirteen had begun his professional playing career. While other Southern California teenagers tuned in to rock n' roll, Bruce hung out with Sonny Rollins, John Coltrane, and Stan Getz records until he could play their sound. By the age of twenty, Bruce was composing music for "The Merv Griffin Show." He remembers handing Plas Johnson and Ray Brown his tunes and was encouraged by their positive reaction. Today Dr. Bruce resides in Culver City, CA and has just finished producing his fifth jazz album, Regions, performed by the Bruce Eskovitz Jazz Orchestra (BEJO), an exciting nine-piece ensemble featuring some of the best jazz musicians in Los Angeles. Previous albums include: Bruce Eskovitz/Bill Mays, Conversations (Azica), One for Newk (KOCH Jazz), a tribute to Sonny Rollins which received a 5 star rating in The All Music Guide to Jazz (www.allmusic.com).

One For Newk features some of the most respected musicians in the jazz arena today: Bill Mays on piano, Ray Drummond on bass, Larance Marable on drums, Charlie Shoemake on vibes, and a guest appearance by saxophone great Ernie Watts on the classic "Tenor Madness".

Dr. Bruce Eskovitz is in demand as a jazz artist on the L.A. jazz club scene where he appears regularly at Catalina Bar and Grill, Jax Bar and Grill, The Santa Barbara Jazz Festival, California 66, Beverly Hills Affaire in the Garden, The Jazz Spot, Lunaria, The Atlas Bar and Grill, St. Mark's Club, and Cava.

Dr. Bruce has performed and recorded with many great and diverse artists, including Joe Cocker, Natalie Cole, Freddie Hubbard, Doc Severinsen, Joe Williams, Rosemary Clooney, Jimmy Webb, Bill Watrous, Elliot Smith, Dwight Yoakum, Jane Monheit, The Fifth Dimension, Rita Moreno, Jack Jones, Bobby Vinton, Shari Lewis, Ernie Watts, and many other celebrities. He plays soprano, alto and tenor saxophones, flutes and clarinets. Some of his other compositional and performance credentials include the Los Angeles productions of "Beatlemania" and "Timbuktu," countless records and jingles, The John Davidson Show, The Danny Gans Show, The Ebony/Jet Celebrity Showcase, the ABC TV show Santa Barbara, Ollie Mitchell's Sunday Band, Frank Capp’s Juggernaut, and "The New American Orchestra." He is currently fronting his band BEJO (Bruce Eskovitz Jazz Orchestra) featuring some of the best jazz musicians in Los Angeles.

Dr. Bruce’s career as an educator boasts several major accomplishments: he is Director of the Instrumental Music Program at the prestigious Windward School in West Los Angeles. Previously he was a full time lecturer at The University of Southern California where he directed the Jazz Ensemble Program, taught jazz theory, as well as saxophone and jazz improvisation; he founded the award winning Jazz Music Studies Program at Crossroads School for the Arts and Sciences in Santa Monica, CA, where he maintains his role as Artist-in-Residence. Dr. Bruce is also active as a clinician and soloist.

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208
Album Review

Bruce Eskovitz Jazz Orchestra: Invitation

Read "Invitation" reviewed by Donald Elfman


Saxophonist/composer Bruce Eskovitz makes music that is playful and appealing yet challenging and thoughtful at the same time. On an earlier recording, he paid tribute to saxophonist Sonny Rollins in a quartet setting, but here he displays his impressive composing and arranging chops in a big band setting. Eskovitz knows about intimacy and so the charts express a closeness often only achieved in smaller settings. The orchestra never sounds dense or thick, and despite the fact that the leader is ...

244
Album Review

Bruce Eskovitz Jazz Orchestra: Invitation

Read "Invitation" reviewed by Jerry D'Souza


The Bruce Eskovitz Jazz Orchestra returns with its second CD, Invitation, playing music that includes bop, salsa and samba. Much of it sits well within the confines of the orchestra.

Eskovitz wrote all of the compositions except two, which stand out not only for their arrangements, but for the way the soloists keep the groove alive. The first of these is Herb Ellis' “Detour Ahead." Eskovitz's tenor saxophone dips into the melody with becoming warmth, while ...

124
Album Review

The Bruce Eskovitz Jazz Orchestra: Regions

Read "Regions" reviewed by Jack Bowers


If Stan Kenton were alive today, he'd no doubt be leading the applause for the Bruce Eskovitz Jazz Orchestra. Kenton was a visionary who not only welcomed new ideas but often introduced them; while others looked to the past for inspiration, he looked to the future for adventure. Although it may seem presumptuous to speak for Kenton, I can't help thinking he'd greatly admire the Eskovitz Orchestra's debut album, Regions, as it further explores the uncommon path blazed by Kenton, ...

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Music

Recordings: As Leader | As Sideperson

Invitation

Pacific Coast Jazz
2008

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Bossa Nova Stories

Blue Note Records
2008

buy

Regions

Backstage Records
2004

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