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Carl Saunders

Primary Instrument: Trumpet

Born: August 2, 1942    

Carl Saunders

Jazz listeners living in the Los Angeles area and musicians worldwide have long known that Carl Saunders is one of the great trumpet players around today. Now with the release of four remarkable recordings (Out Of The Blue, Eclecticism, Bebop Big Band, and Can You Dig Being Dug), Saunders’ musical talents can be heard and enjoyed by a much wider audience.

Carl Saunders was born on Aug. 2, 1942 in Indianapolis, Indiana and his first five years were mostly spent on the road. His uncle was trumpeter- bandleader Bobby Sherwood was riding high with the popular Sherwood Orchestra, having hits with “Elks Parade” and “Sherwood’s Forest.” Saunders’ mother Gail (Bobby’s sister) sang for the Sherwood Orchestra and Stan Kenton, among others. When Carl was five, he and his mother settled in Los Angeles; living with Carl’s aunt Caroline and her husband, tenor-saxophonist Dave Pell. At the time, Saunders heard the records of the Dave Pell Octet and was influenced by the style and phrasing of trumpeter Don Fagerquist....
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    The Lost Bill Holman Charts

    MAMA Records
    2007
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    Can You Dig Being Dug?

    Itsus Jazz
    2005
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    Be Bop Big Band

    Sea Breeze Jazz
    2002
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    Eclecticism

    Between The Lines
    2000
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    Out Of The Blue

    Between The Lines
    1996

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Featured recording “The Lost Bill Holman Charts”

Latest Release

The Lost Bill Holman Charts

MAMA Records (2007)

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”An examination of Saunders’ improv solo…shows the breathtaking melodies and never-ending supply of creative improvisations that make him a highly regarded player.” --Chris Chapman

”Saunders has brought audiences to their feet with solos, which are spectacular only in their continuity, flow, and ideas…Saunders may find himself one of the most talked about trumpeters of the 90’s.” --Doug Ramsey

”If you’ve not yet heard this master of the trumpet/flugelhorn, it’s time you did.” --Jack Bowers

”The trumpet playing throughout is brilliant, with long lines of perfectly placed notes created in an unpredictable but ultimately logical fashion.” --Scott Yanow

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