Carol Liebowitz, piano Pianist and singer Carol Liebowitz brings a uniquely expressive and personal sound to the jazz and free improvisation scene. After focusing on classical repertoire at the High School of Performing Arts and NYU, her musical direction turned to improvisation and she began studying with Connie Crothers. Other influential teachers have included Sal Mosca, Jay Clayton and Sheila Jordan. She has performed in Europe and throughout the New York City metropolitan area in venues such as Roulette, The Stone, Cornelia Street Cafe, ibeam, The Firehouse Space, Arts for Art, Spectrum, Galapagos and Birdland. In addition to frequent solo concert appearances, Carol has worked in various groups — from duos to sextet — with musicians including Daro Behroozi, Adam Caine, Daniel Carter, Bill Chattin, Claire de Brunner, Maryanne de Prophetis, Ken Filiano, Birgitta Flick, Guillermo Gregorio, Ratzo Harris, Ron Horton, Will Jhun, KenYa Kawaguchi, Adam Lane, Eva Lindal, Nick Lyons, Adam Melville, Don Messina, Ryan Messina, Bill Payne, John Pietaro, Lorenzo Sanguedolce, John Wagner, Michael Wimberly, Andrea Wolper, and dancer Michiru Inoue. Along with her latest CD, “Payne Lindal Liebowitz” on Line Art Records, Carol has two releases on the New Artists label: “Waves of Blue Intensities,” a duo with tenor saxophonist Bob Field, and “Time on My Hands,” a voice and guitar duo with Andy Fite.
Blueshift is a term employed by astronomers to describe an object that is moving toward another object or toward us. It is determined by measuring tiny shifts in the wavelengths of light coming from said object(s). This movement is not detectable by the naked eye but Blue Shift, the first adventure by the In Real Time trio of pianist Carol Liebowitz, bassist Adam Lane, and drummer Andrew Drury sure as hell make it heard. Collectively the New York ...
Spiderwebmandala is an album that miraculously manages to simultaneously capitalize on the concepts of connectivity and detachment, toying with a form of polarity tied to the very notion of togetherness and using it as the ultimate artistic tool. Having worked together since 2010, pianist Carol Liebowitz and clarinetist Bill Payne are more than comfortable with each other. That comfort, however, never gets in the way of their art. As demonstrated throughout this collection of freely improvised works ...
“It quite simply was one of the greatest solo piano concerts I’ve ever
witnessed...”
—Mark Weber, poet
“. . .vibrant and sonorous pianism. . . . chords that brim with ardent energy and hypnotic
beauty.”
—Hrayr Attarian, All About Jazz
“...she doesn’t sound much like anyone but herself.”
—Chris Kelsey
About "Payne Lindal Liebowitz" on Line Art Records:
“. . . high caliber musicianship and intelligent, electrifying artistry.”
—Hrayr Attarian, All About Jazz
“. . . multileveled dialogue. . . . multifaceted music. . . . Simply put, they
sound like no one else. . . . a soundscape in which each dynamic and
rhythmic contrast is of the utmost importance. . . . The recording is
superb. . . . captures the perfect environment for this supremely
sensitive trio, from whom I hope we hear a lot more.”
— Marc Medwin, Cadence Magazine
“It quite simply was one of the greatest solo piano concerts I’ve ever
witnessed...”
—Mark Weber, poet
“. . .vibrant and sonorous pianism. . . . chords that brim with ardent energy and hypnotic
beauty.”
—Hrayr Attarian, All About Jazz
“...she doesn’t sound much like anyone but herself.”
—Chris Kelsey
About "Payne Lindal Liebowitz" on Line Art Records:
“. . . high caliber musicianship and intelligent, electrifying artistry.”
—Hrayr Attarian, All About Jazz
“. . . multileveled dialogue. . . . multifaceted music. . . . Simply put, they
sound like no one else. . . . a soundscape in which each dynamic and
rhythmic contrast is of the utmost importance. . . . The recording is
superb. . . . captures the perfect environment for this supremely
sensitive trio, from whom I hope we hear a lot more.”
— Marc Medwin, Cadence Magazine
“This trio is quite an original group....poised in the realm of a highly
communicative chamber music, in which pure improvisation reigns
supreme. It is an intense album that will not go unnoticed.”
— Vittorio Lo Conte, musiczoom.it
“ . . . It is immediately obvious that the three are totally compatible as
improvisers, already sounding as if they have years of improvising
experience together. . . . the key to this trio’s compatibility is the
presence of three distinct, separate voices that each have their own
story to tell but not at the expense of the others.”
—John Eyles, All About Jazz
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