Christian Jacob began playing at the age of four and graduated with First Prize from the “Conservatoire National Supérieur de Musique” in Paris. In 1983, he enrolled at the Berklee College of Music in Boston and later joined the faculty.
While attending Berklee “Downbeat Magazine” honored Christian as “Top Collegiate Jazz Soloist” and he won the 6th Annual Great American Jazz Piano Competition in Jacksonville, Florida.
Christian later toured with Maynard Ferguson, who produced Christian’s two Concord recordings: “Maynard Ferguson Presents Christian Jacob” and “Time Lines”....
AwardsFirst Prize from the “Conservatoire National Supérieur de Musique” in Paris
“Downbeat Magazine” honored Christian as “Top Collegiate Jazz Soloist”
Winner of the 6th Annual Great American Jazz Piano Competition
“Descriptive words such as virtuoso and genius are not words I easily throw around. When I first heard Christian Jacob I knew he was something special... I believe that Christian Jacob is about to become a major force in jazz today!” -Maynard Ferguson
“A post-bop modernist touched by the souls of Bill Evans and Keith Jarrett… Pianist Christian Jacob is a wonderful player whose crystalline melodies and expansive harmonies mark him as someone to keep an ear on.” -Jazz Times
“A talented jazz piano newcomer, Christian Jacob shines and has the post-Bill Evans sound well in hand.”
CHRISTIAN JACOB TRIO
I was a devoted fan of Michel Petrucciani, so it is surprising that it took Christian Jacob’s new album to reveal the permanence of Petrucciani’s work as a composer. Petrucciani recorded prolifically in his short life, in a variety of settings, and his own tunes always seemed like movements in the album-length suites he wove together from diverse found and invented materials. Christian Jacob is such a fluent, polished pianist—and his long- term working trio with bassist Trey Henry and drummer Ray Brinker is so tight—that he is able to reveal the luminous melodic essences inside Petrucciani’s complex irregular forms. Once you have heard Jacob’s elegantly detailed and finished renderings of Petrucciani lines like “Looking Up” and “Even Mice Dance” and “13th” and “Memories of Paris,” it becomes remarkable that these songs have remained largely unexplored by jazz players. Jacob presents them as such meticulous and complete designs, and such rich sources for improvisation, that he newly claims their place in jazz literature.
When Petrucciani died at 36 in 1999, the French critic Francis Marmande wrote, “If the death of a musicians touches us in a special way, it is because they take their secrets with them.” With Contradictions, Christian Jacob has performed the valuable service of revealing that Michel Petrucciani left some of his secrets behind.
Beautiful Jazz: A Private ConcertWilderJazz
Live in JapanWilderJazz
Time Lines*For*sake Recordings
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