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Dale Fielder

Primary Instrument: Sax, baritone

Born: July 27, 1956    

Dale Fielder

Dale Fielder is an American jazz saxophonist, composer and band leader. He is a multi-instrumentalist who plays all four saxophones: soprano, alto, tenor and baritone with equal authority. He is known for his original compositions and choice of performing rare, obscure jazz classics as well as his varied group concepts and variety of presentations. Fielder has recorded over 13 CDs as a leader for various labels since he first appeared on the national jazz scene in 1993 with his first CD Free Flow.

He grew up in Midland, Pennsylvania, a suburb of Pittsburgh where he studied oboe, bassoon and tuba in the school system and clarinet, saxophone, composition and arranging privately with noted Pittsburgh area tenor saxophonist Phillip Celli. Fielder is also a product of the University of Pittsburgh Jazz Studies Program, where he studied as an ethnomusicology major under Dr. Nathan Davis. Fielder's debut jazz performance was as a member of the Joe Harris Quartet, former drummer of the Charlie Parker Quintet and Dizzy Gillespie Orchestra. After relocating to NYC, he was recipient of a National Endowment for the Arts grant in 1984, studying with trumpeter/composer Frank Gordon and completed his first large work, The Aquarian for alto saxophone and chamber orchestra. While in NYC, he also performed with a host of current jazz stars such as pianist/composer Geri Allen and trombonist Robin Eubanks among many others....
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Awards

BET jazz discovery winner 1999
At times, it seems as if saxophonist Dale Fielder is one of the national jazz scene’s best kept secrets. An incredibly talented instrumentalist as well as an accomplished composer, Fielder’s command of his instrument, his improvisational runs, the nuances, his warm mellow tone —-his total expression is flawless. —Bob Agnew/LA Jazz Scene

Fielder comes out of the gate blowing hard, aggressive, ferociously swinging tenor and with that blows away any preconceived notions about west coast jazz musicians not being able to deal with the same depth as their east coast counterparts. Fielder’s tone is big and pungent, reminiscent of Trane’s and he possesses an impressive command of his instrument in both low and high registers. No happy jazz here, just a lot of serious dealing. —Bill Milkowski/JazzTimes Magazine

DEAR SIR finds Fielder fully ready to tackle the challenge of a CD program rendered in tribute to Wayne Shorter. Throughout these eleven pieces, the Dale Fielder Quartet gives a solid lie to the misguided notion that one has to be in New York to make significant jazz. DEAR SIR is likely something future generations of saxophonists will be addressing Dale Fielder by. He’s got it. —Willard Jenkins/JazzTimes Magazine

As a saxophonist, Fielder’s style lies somewhere between Shorter’s tensile fragility and Coltrane’s towering strength. He straddles this line well. —Robert Iannapollo/Cadence Magazine

His performances swing with dignified sounds and a sense of tradition, not to mention the kind of emotional content that great jazz demands. Seen earlier this month at Club Brasserie in West Hollywood’s Bel-Age hotel, the saxophonist and his combo took the roof off the place! —Bill Kohlhaase/LA Times

Dale Fielder attacks the rhythms on the alto saxophone with his dynamic solo-ability and eats up bop solos like pancakes! —Glenn Davis/LA Watts Times

Here’s something of a rarity, a debut disc from the west coast by a young black saxophonist that bears no hints of fuzak or funk trappings wrapped in a palm tree mentality. This is updated and unrepentant hard bop of the Blue Note mold. Fielder’s main instrument is the alto which he invests with a tart tone in the manner of Mr. McLean while constructing idea-filled phrases rooted in the Charlie Parker continuum. His compositions are dotted with twists remindful of Wayne Shorter scripts. This California reedman has come up with something more than a mere slice of nostalgia for the scotch and slippers set. I say more power to him! —Larry Hollis/Cadence Magazine

  • DFQ Plays The Music of Pepper Adams

    Clarion Jazz
    2008

This information is provided by discogs.com or the profile administrator.

Primary Instrument:
Sax, baritone

Location:
Altadena, CA

Willing to teach:
Intermediate to advanced students

Credentials/Background:
University of Pittsburgh Ethnomusicology Major / Yamaha School Of Music (LA,CA) Currently: Jupiter Band Instruments Educational Clinician / Brentwood (CA) High School Master Classes / Lincoln Park Performing Art Center Master Classes (2010)

Clinic/Workshop Information:
Educational Clinician for Jupiter Band Intruments. Talk and teach basics of jazz improvisation. Have students perform with Quartet and critique each student. For Clinics or a masterclass please contact Jupiter Artist Management at 512-288-2979 x22 www.jupitermusic.com

These are the Instruments and mouthpiece/reed setups I am currently using: 1. Jupiter XO Series Alto Sax with a Meyer #5 hard rubber mouthpiece & Alexander Superial D.C or Vandoren Java cut cane reeds, #3 2. Jupiter XO Series Tenor Sax with a Leonani Beechler 110+ Series hard rubber mouthpiece & Alexander Superial D.C cane reeds, #3 3. Jupiter Artist 800 Series Baritone Sax with a Yanigasawa #7 metal mouthpiece & Bari-Star synthetic reeds, Hard 4. Jupiter Artist 800 Series Soprano Sax with a Henri Selmer Paris F Series mouthpiece & Vandoren Traditional cut cane reeds, #3, I use the curved neck.

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CD/LP/Track Review

DFQ Plays The Music of Pepper Adams by Michael P. Gladstone

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