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Alex Clements
Alex Clements; so many adjectives can be used to describe the many facets of this talented, creative, well-rounded Canadian jazz pianist and composer. Clements is an internationally recognized artist, performing in the United States, Europe, Southeast Asia, the Caribbean, Morocco, and Cyprus. One of Clements’ highest accomplishments is an Alberta Achievement Award, which was presented to him by the Government of Alberta
However, this is only the beginning of his accomplishments; Clements holds a Master's degree in Jazz Performance from McGill University and a Bachelor's degree in Arranging from Berklee College of Music. He also completed two associateship performance diplomas from the Royal Conservatory of Music and Mount Royal College Conservatory of Music, where he was awarded a gold medal and scholarship.
In the past fifteen years, Clements has received numerous scholarships and awards from the Conseil des arts et des lettres du Québec, The Canada Council, The Foundation to Assist Canadian Talent on Record (FACTOR), McGill University (Margaret Houlding Memorial Prize), Berklee College of Music (Achievement Scholarships), and the Alberta Foundation for the Arts (Arts Study Grants).
Clements has performed at numerous jazz festivals including, the Montreal International Jazz Festival and the Kissimmee Jazz Festival. He competed twice in the Martial Solal International Jazz Piano Competition in Paris; the competition consisted of 59 top jazz pianists from around the world.
Clements maintains an active performing career in jazz, organizing his own concerts as well as directing and working as a sideman at many venues across the US. He recently performed a concert featuring his original compositions and held a master class at Abilene Christian University in Texas. Clements skills as a composer and arranger are recognized by a series of commissions for Canada’s nationally known Montreal Jazz Big Band, including a 60-minute suite entitled “Jazz Images” portraying the history of jazz. The band was awarded a Prix Opus (Quebec Music Award) after performing this work.
Clements is also an active film composer, recently completing a score and recording of music for the Rockefeller Center’s multi-media exhibit presenting Paramount Pictures re-issue of It’s a Wonderful Life. He also wrote the music for a 45-minute documentary entitled Lewis and Clark: Following their Footsteps.
Additionally, his music can be heard on the McGill Jazz Orchestra’s latest release Ostinatocious which includes Part 1 of his Suite No. 4 ‘Cycles’. In addition to his own album, Clements has recorded with singer Sophie Lapierre on her album entitled They Can't Take That Away From Me, with soprano saxophonist Monik Nordine’s on her album Not Just To But Over The Moon, tenor saxophonist E.J. Hughes on his album Audrey, and more recently, with tenor saxophonist Alain Bradette on his album State of Mind. In December of 2004 Clements was a member of the peer assessment committee for the Grants to Professional Musicians (Non-Classical Music Grants) Program for the Canada Council for the Arts, the principal federal agency for the support of the arts in Canada.
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Alex Clements / John Abraham / Zara Tellander: Between Stops
by Edward Blanco
Hailing from different backgrounds and cultures--all on separate musical journeys that have brought them together for a distinct purpose--begs the question: what do American drummer John Abraham, Canadian pianist Alex Clements and Swedish singer Zara Tellander have in common? The answer: a musical train ride that brings them together on Between Stops, offering a blend of light contemporary jazz and Brazilian flavored rhythms bursting with energy.
This is not a traditional trio recording; the three musicians, essentially co- ...
read moreTake Five With Alex Clements
by AAJ Staff
Meet Alex Clements: Alex Clements; so many adjectives can be used to describe the many facets of this talented, creative, well-rounded Canadian jazz pianist and composer. Clements is an internationally recognized artist, performing in the United States, Europe, Southeast Asia, the Caribbean, Morocco, and Cyprus. One of Clements' highest accomplishments is an Alberta Achievement Award, which was presented to him by the Government of Alberta.In the past fifteen years, Clements has received numerous scholarships and awards ...
read moreAlex Clements: Waiting For You
by Michael P. Gladstone
On Waiting For You, Canadian pianist/composer Alex Clements shows that, with his already overactive musical life, he is still capable of turning out an interesting album. Clements is from Alberta, and was awarded the highly regarded Alberta Achievement Award. In addition to his writing for his alma mater, McGill University in Montreal, Clements is an active film scorer, and has completed the music for a reissue of It's A Wonderful Life for Paramount Pictures.
When last heard from, ...
read moreAlex Clements: Waiting For You...
by Glenn Astarita
Well-educated Canadian pianist/composer Alex Clements gets around. He composes for his alma mater, the McGill University's Jazz Orchestra, and was a member of the peer assessment committee for grant endowments with the Canada Council of the Arts.
His performance career has taken him into North American jazz circles, highlighting his participation with numerous artists. And as a pianist, he's firmly entrenched within the Bill Evans school, which is a facet that transpires during this delightful engagement, ...
read moreAlex Clements: Emily's Song
by Dan McClenaghan
Solo piano may be the ultimate form of musical expression on the instrument. But a good percentage of the albums in that category seem to beg for a bass and drums, a boost of the rhythmic undercurrent to flesh out the keyboardist's ideas. Going solo, it's melody, rhythm and harmony in two hands, no safety net. The plus side of the solo approach is the freedom it allows the musician to follow his muse and expore his artistry outside the ...
read moreAlex Clements paints in watercolor toneson Emily's Song, a heartfelt solo piano disc that puts the Alberta based composer's graceful melodicism front and center. The title track and "A Song for Ethan," dedicated to Clements' children, have a sunny, lilting manner that juxtaposes innocence with inner strength, love of today with hope for the future. The other tracks may have stormier undercurrents or somber overtones, but Clements never abandons that core optimism, and his aching rendition of "I Love You, Porgy" seems bathied in soft light.
Kyle O' Brien, Jazzscene
Every musician has his or her inspiration