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Ambrose Field
Ambrose Field / John Potter: Being Dufay
by John Kelman
In a time when musical boundaries are being dissolved and labels are becoming increasingly meaningless, innovation can be found everywhere. When The Hilliard Ensemble collaborated with Norwegian Jan Garbarek on Officium (ECM, 1994) and the follow-up Mnemosyne (ECM, 1999), who knew that the combination of vocal music, ranging from pre-AD Greece to contemporary times, would mesh so beautifully with the legendary saxophonist's soaring improvisations? In the decade since, the emergence of composers who use electronics as their exclusive (but, by ...
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