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Joel Grip

Joel Grip, as a bassist and producer, plays a great role in the new generation of improvisers in Europe. Umlaut Records opened up for new forms of organizing collectives of musicians internationally. Hagenfesten in Dala-Floda is a stand-alone festival, making people meet. Besides touring with groups like Peeping Tom, Eve Risser Trio or SNUS, Joel Grip's intense improvisation is heard in solo, duos or larger improvising groups in greater Europe, USA and Asia.

As an energetic double bassist and producer, Joel Grip plays a great role for the new scenes of improvised music in Europe. By founding the label Umlaut Records, he opened up for creative forms of organizing collectives of musicians and promoting their music internationally. Since 2003 he has been one of the main organizers of Hagenfesten in Dala-Floda, Sweden, a stand-alone festival, making people meet. Besides touring with groups like Peeping Tom, Kege Snö, Je Suis! or SNUS, Joel Grip's intense and personal music is heard in solo, duo or larger improvising groups in greater Europe, USA and Asia. Besides work in just musical context, collaborations often include contemporary and Butoh dancers, as well as artists, poets, and filmmakers. With music at arms, Joel Grip amplifies reality by making homeless voices heard through the organization Public Health Music.

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4
Album Review

Ism: Maua

Read "Maua" reviewed by John Sharpe


What would a free jazz group sound like if it stayed within conventional rhythmic and melodic parameters? One possible answer was given by pianist Lennie Tristano's pioneering sides such as “Intuition" and “Digression," extemporized by a sextet including Lee Konitz and Warne Marsh. Ism, the cosmopolitan threesome of British pianist Pat Thomas, Swedish bassist Joel Grip and French drummer Antonin Gerbal, offer another option. On Maua (meaning flowers in Swahili), the outfit's fourth album, they once again ...

5
Album Review

اسم  [ism]: Maua

Read "Maua" reviewed by Mike Jurkovic


Where would the world be without the clang and the clamor of sensory heightened free-jazz blowing purposeful and wild throughout the realm and surrounding tenements? This is an unsung understanding understood by fellow wayfarers, handed down by the elders and experienced by all who listen. Pianist Pat Thomas understands all this and reassures you of it on the right rollicking Maua, a tight as a snare drum, free jazz free-for-all that does not get on your nerves halfway ...

4
Album Review

Elastic Bricks: Oùat

Read "Oùat" reviewed by Mark Corroto


The Berlin-based piano trio Oùat releases their first album with the seemingly paradoxical title Elastic Bricks. If you listen closely, there is nothing incongruent nor oxymoronic about the music. The studio recording from 2021 by pianist Simon Sieger, bassist Joel Grip, and drummer Michael Griener is an all acoustic instrumental affair with a twist. The vinyl edition comes with individual texts, paragraphs from writer Erin Honeycutt accompanying each of the nine compositions. Although no voice is heard, the written word ...

5
Album Review

اسم [Ism]: Japanese Flower

Read "Japanese Flower" reviewed by Mark Corroto


The trio اسم [Ism] is comprised of pianist Pat Thomas, bassist Joel Grip and drummer Antonin Gerbal. Japanese Flower by the trio is the second release from a 2018 recording session from Knuttal House in Tokyo, Japan. It is the trio's third release and it follows Metaphor (2019) and إنتقام الطبيعة اسبب تعقدها = Nature In Its Inscrutability Strikes Back (2015), all three released on Umlaut Records. اسم in Arabic, translates to 'Ism" or in English, 'The Name.' For sure, ...

6
Album Review

[Ahmed]: Nights on Saturn (communication)

Read "Nights on Saturn (communication)" reviewed by Troy Dostert


When [Ahmed] released its debut album, Super Majnoon (Otoroku), in 2019, it provided not only an opportunity to revisit the under-heralded work of pathbreaking bassist Ahmed Abdul-Malik. It also offered a bewildering, sometimes intoxicating stew of improvisation that relied equally on minimalist repetition and deeply-rooted grooves. This intrepid team of European musicians, consisting of saxophonist Seymour Wright, pianist Pat Thomas, bassist Joel Grip and drummer Antonin Gerbal, envisioned new ways of continuing Abdul-Malik's quest to find shared connections between jazz ...

9
Album Review

[Ahmed]: Super Majnoon (East Meets West)

Read "Super Majnoon (East Meets West)" reviewed by John Sharpe


It's well known that artistic constraints can in fact aid creativity, but few have put the theory into such good practice as [Ahmed]. The international co-operative of improvisers, comprising the British pair of pianist Pat Thomas and saxophonist Seymour Wright, Berlin-based Swedish bassist Joel Grip and French drummer Antonin Gerbal, takes as its unlikely premise the pioneering music of American bassist Ahmed Abdul-Malik which fused Arabic, East African and jazz modes. Claiming Sudanese descent (although jazz historian ...

5
Album Review

Ahmed: Super Majnoon (East Meets West)

Read "Super Majnoon (East Meets West)" reviewed by Mark Corroto


There are discoveries in jazz waiting (patiently) to be unearthed. Most of them are hidden in plain sight, like the music of Ahmed Abdul-Malik. Born in Brooklyn in 1927, the bassist performed and recorded with, among others Art Blakey, John Coltrane, Thelonious Monk, and Randy Weston. Besides double bass, he pioneered the oud in jazz and improvised music as early as the late-1950s. Was it Randy Weston who inspired Abdul-Malik, or conversely did Abdul-Malik spark Weston to explore African and ...

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Music

Recordings: As Leader | As Sideperson

Maua

577 Records
2024

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Oùat

Umlaut Records
2022

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Nights on Saturn...

Astral Spirits
2021

buy

Japanese Flower

Umlaut Records
2021

buy

Pickelhaube

Ayler Records
2012

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