Home » Jazz Musicians » Johnny Lytle
Johnny Lytle
Johnny Lytle (1932-1995) was one of the most promising young vibraphonists to emerge during the early 1960s. Influenced by Lionel Hampton and Milt Jackson, he had a particularly percussive approach and a distinctive brittle sound.
Lytle started out on drums, playing with his father’s band when he was only nine. He worked with Ray Charles in 1950 and with Gene Ammons’s band while also having a career as a Golden Gloves boxing champion. After switching to vibes in the mid-1950s, Lytle worked with Boots Johnson during 1955-1957. He led his own groups in various jazz clubs in the East and Mideast before he began to record. During 1960-1964 he led six albums for Jazzland and Riverside.
Nice and Easy finds Lytle in heavy company, leading a quintet also including tenor saxophonist Johnny Griffin, pianist Bobby Timmons, bassist Sam Jones, and drummer Louis Hayes. They form a strong group sound on standards, ballads and blues. Got That Feeling/Moon Child includes all of the music from two former LPs featuring organist Milt Harris. The vibes-organ front line is a bit unusual but also very appealing and it works well on the soulful period.
Most famous of Lytle’s record dates is The Village Caller!, another outing with Milt Harris that is most notable for the hypnotic title cut. Years later, in the early 1970s when Lytle recorded a pair of albums for Milestone, The Soulful Rebel record included “The New Village Caller.”
In addition to leading his trio (which appeared along the way with Wes Montgomery and Nancy Wilson), Johnny Lytle was very involved in community affairs, winning awards for the “good vibes” that he accomplished through public service.
Tags
Johnny Lytle Trios: Got That Feeling/Moon Child
by David Rickert
Back in the early sixties a group consisting of Larry Young, Bobby Hutcherson, and Grant Green recorded a series of outstanding sessions that both extended the vocabulary and enriched the possibilities of the jazz organ combo. Part of this was the unusual addition of vibes in a spot normally occupied by a sax, but to a large degree Young, Green, and Hutcherson worked their magic on a selection of tunes that strayed far from the gospel and blues tinged themes ...
read moreJohnny Lytle (OJC: Nice And Easy
by Douglas Payne
Jazz was unfair to soulful vibraphonist Johnny Lytle (1932-1996). He recorded frequently throughout the 1960s, 70s and 80s, often as part of producer Orrin Keepnews's label affiliations (Jazzland, Riverside, Tuba and Milestone). Lytle nearly scored a hit with 1963's The Village Caller" (reissued on CD by OJC last year) and acquired belated fame when the acid-jazz crowd adopted his catchy, funky vibe to the dance floor (reference BGP's excellent compilation of Lytle's mid-1960s classics The Loop/New and Groovy ...
read moreJohnny Lytle: People & Love
Source:
JazzWax by Marc Myers
Johnny Lytle was a big deal during the 1960s and early 1970s. In some respects, the vibraphonist and composer perfected an album model that inspired Creed Taylor's CTI label, combining jazz originals and jazzy interpretations of soul hits. In many respects, there isn't a bad Lytle album. One of my favorites was his interpretation of songs from the soundtrack to A Man and a Woman in 1967. Also terrific are Blue Vibes (1960), The Loop (1966), New and Groovy (1967) ...
read more