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Osvaldo Coluccino
Osvaldo Coluccino: Oltreorme
by John Eyles
Osvaldo Coluccino's debut album on Another Timbre, Atto, was one of 2012's more pleasant surprises. Despite Coluccino's history of composing for conventional instruments--his release immediately preceding Atto was String Quartets (NEOS, 2012)--for the composition featured on Atto he opted to only employ (unspecified) acoustic objects which he struck, rubbed or blew into. Using no electronic manipulation, the end result was an intriguing overlap of ambient, electro-acoustic improvisation and modern composition in which it was impossible to identify the sources of ...
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by John Eyles
Osvaldo Coluccino is a self-confessed loner with an eclectic history as a musician, poet, and composer. As a composer, he has employed conventional acoustic instruments and/or electronics, the latter exemplified on Neuma Q (Die Schachtel, 2010). For Atto, recorded near Milan between February and May 2011, he took the role of sole creator-performer and opted to make music using neither instruments nor electronics. Instead he struck, rubbed or breathed into everyday objects to generate sounds that cannot be associated with ...
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