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Patrick Battstone
In 1973, he attended Berklee College of Music and soon after became a student of both Mme Chaloff and Charlie Banacos. During this time he performed at various Boston venues, both as a solo pianist, and as a member of various ensembles. One of his bands, which featured hometown friend Grover Mooney, opened the fabled 1369 Club in Cambridge. Later, they collaborated in booking the Green St Station and the Arbor House as well as hosting late night jams sessions.
During the 80’s, Patrick studied the works of Scriabin under the renowned Serge Conus. In 1986, he resumed jazz studies with Joanne Brackeen in NYC for a period of six years.
In the past 2 decades, he has been involved in various musical activities. He is fluid in both solo appearances as well as leading ensembles; in both acoustic settings as well as electric. He leads an acoustic trio and quartet and performs in numerous electric funk/rock groups. He is experienced in performing for receptions, dinner parties, lounges, parlors, etc., and can adapt his playing to fit any occasion.
Besides performing, he has been active in producing music, in teaching piano, has managed and mentored numerous bands and venues, and also works as a Fender Rhodes technician. Lately, his main activity has been in the recording studio, having produced and released 7 CDs of his own works in the past 2 years as well as producing the concert recordings of Serge Conus and others.
His latest collaboration has been with percussionist Richard Poole on vibraphone, which he describes as “a calling that couldn’t be ignored”. A year in the planning, they have spent over 20 hours in the studio, recording material, and have spent hundreds of hours critiquing it to the point where they are ready to release a CD. Already, they are getting requests to perform concerts locally, and are hopeful of finding an appreciative European audience.
When not performing music, Patrick works as a rocket scientist at Draper Labs in Cambridge.
Contact Patrick Battstone 617-258-2423 [email protected] www.bats-tones.com
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Pat Battstone and Giorgia Santoro: Dream Notes
by Geannine Reid
Dream Notes is a collaborative effort by American pianist Patrick Battstone and Italian flautist Giorgia Santoro, along with Italian painter Daniela Chionna. Battstone connected to her paintings and had a strong affinity for her improvisational style. Previously her Immersion" series of paintings was absorbed in his previous recording Elements. When she created the series, Dream Notes," they were quite different from her previous works, having a Japanese tone, with a starkness which was set to a winter theme. Battstone set ...
read morePatrick Battstone: The Last Taxi, In Transit
by Geannine Reid
Patrick Battstone is a pianist and collaborator. What is meant by collaborator? Good Question. Battstone is as equally skilled at writing, creating and playing as he is bringing together equally creative and likeminded collaborators into one project. Battstone's projects are a democracy of performances, where each player has a vital and role in the overall sound. His last six CDs have all proven to be adventurous alliances. Now with his seventh offering The Last Taxi, In Transit. Battstone has once ...
read morePatrick Battstone & Antonella Chionna: The Voice of Robert Desnos
by Geannine Reid
Pat Battstone and Antonella Chionna have released a CD titled, The Voice of Robert Desnos. You do not need long to understand that there is something special in this duet. The exciting idea: to perform the poetry of Robert Desnos. Desnos' creative processes focused on achieving a state of self-abandon, dream-like spontaneity that allowed him to create his art while transcending the limitations of reality." Desnos strived for a deeper vision of a sur-reality; one where the movie screen" that ...
read morePatrick Battstone and Richard Poole: Mystic Nights
by Hrayr Attarian
Pianist Pat Battstone and vibraphonist Richard Poole's Mystic Nights follows a small but illustrious tradition duo recordings including Gary Burton and Chick Corea's Crystal Silence (ECM, 1972) and Visions (Steeplechase, 1979), from Sun Ra and Walt Dickerson. Also a pianist, Poole shows significant musical sympathy with Battstone who, having studied with Burton, also has a deep understanding of his colleague's instrument. This camaraderie is heard best on Reflections," with each instrument reflecting--but not mimicking--the other with crystalline ...
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