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Rob Ryndak

“Somewhere between the passionate inspiration of John Coltrane’s “Bahia” and Dizzy Gillespie’s years as the flag bearer for Latin Jazz is the place where you’ll find the essence of Rob Ryndak’s music.”

—Scott Adams, The Sounds of Brazil! Radio Network

Raised in Chicago’s northside and the youngest of several musical brothers, award-winning composer and pianist Rob Ryndak led his own rock band playing the drums while still in grammar school, actively performing at parties and talent shows. Yet, a little over a decade ago, the horn lines and rhythmic cadences he presents today were about as far removed from Rob’s life as a jazz club is from a seminary, which is exactly where Ryndak really honed the tools of his craft.

While studying percussion and taking basic piano courses at Triton College, Ryndak discovered the need to nurture his spiritual development and entered a Franciscan seminary. After four years of study and writing music for choirs and cantors, he realized his true vocation is music. With his return to the secular world, Rob Ryndak pursued his passion and musical studies with Frank Caruso, Laurence Hobgood, Hal Russell, Jake Jeiger, Alan Swain, Kent Wehman, Bob Bullard and Don Owens; all of whom have influenced his compositions and his performing, as well as his own teaching.

As a performer, Ryndak has recorded and played with a long list of Chicago greats including Steve Cole, Ruben Alvarez, Geof Bradfield, Carlos Cornier, Paulinho Garcia, Greg Fishman, Larry Gray, Rob Kassinger, Bobby Lewis, Richard Patterson, and Paul Wertico. Although primarily a pianist, Rob continually draws on his percussion roots to infuse a strong baseline of rhythms in his writing and still likes to get out from behind his piano to play congas.

Rob’s own ensemble has performed at festivals throughout the Midwest such as the Munster Indiana Jazz & Blues Festival, Nebraska’s Joslyn Museum’s Jazz on the Green, Milwaukee’s Jazz in the Park, and Chicago’s Music on Michigan Avenue. Ryndak and his ensemble was also featured as the opening act for Steve Cole at Milwaukee’s Third Ward Jazz Festival.

Rob Ryndak’s writing is a potpourri of style and influences, shaped by the decades-long marriage of jazz with the tropics as well as Ryndak’s own curious rise to musicianship through seminary. His compositions combine pop along with jazz and latin rhythms to create melodies that—as jazz journalist Dave Helland writes—“tug at your ears while the grooves push at your feet.” Ryndak’s music is autobiographical and draws inspiration from not only his head and heart, but his family, friends, and the places he has visited. His musical influences also come from Dave Brubeck, Miles Davis, Poncho Sanchez, Antonio Carlos Jobim, Miriam Makeba, Bob Marley, Joe Sample, Horace Silver as well as the classical, R&B, and rock genres.

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Album Review

Rob Ryndak: Boundless

Read "Boundless" reviewed by Jack Bowers


Scott Adams' liner notes describe Rob Ryndak's musical perspective as arising from 'the decades'long marriage of Jazz with the tropics,' and rhythmically speaking, the point is well made. This isn't typical 'Latin Jazz' ' that is to say, there are few brassy fireworks or cascading congas overspreading the landscape ' but an insistent beat from south of the border underscores much of Ryndak's music and helps set his group apart from others who are staking a territorial claim in the ...

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"Rob Ryndak is one of the finest contemporary jazz pianists performing ... Ryndak knows how to make his piano sing a fine jazz tune, and he is one of the tops in his field, sensitive, stylish, innovative, sharing and enjoyable." — Lee Posser, JazzReview.com

"Like David Sanborn, Joe Sample, and the late Grover Washington, Jr., Rob Ryndak realizes that a jazzman can be accessible to pop and R&B audiences without prosituting himself and throwing integrity to the wind." —Alex Henderson, All Music Guide

Primary Instrument

Piano

Music

Recordings: As Leader | As Sideperson

A Wonderful Thing

Pacific Coast Jazz
2013

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Boundless

Southport Records
1998

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