HAFEZ MODIRZADEH (aka Hafez Modir - woodwinds and flutes) has published and recorded extensively on an original cross-cultural musical approach he terms chromodal, from which he received a Ph.D. from Wesleyan University, and lectures on internationally. Hafez' horn playing is deeply rooted in the legacy of African-American musical traditions, yet is also compelled by his Persian heritage. Hafez creates melodies that adapt Middle Eastern and African-American sources into an intelligent and most original melodic conception. His invention of the chromodal method allows for a nonlinear improvisational practice that is able to adapt to and incorporate multiple systems of music, permitting a cross-cultural conversation....
All Music Guide
Saxophonist Hafez Modirzadeh is unlike any other ...
Saxophonist Hafez Modirzadeh is unlike any other player or composer out there. His relationship to the musical whole on his recordings is an approach that carries within it a host of contradictions, especially as it engages Eastern modalism and European chromaticism. This set, which is earmarked by the truly lovely Tetrapath: Music, (which earmarks the entire proceeding) is a concept on the union of these two pursuits and how they play out, not only in jazz and improvised music, but in the languages folk musics, and how they inform and engage one another through the general vision of cultures and the particular gaze of musicians. His quintet that includes drummer Royal Hartigan, guitarist Timothy Volpicella, bassist Ken Filiano, and guests such as Ramin Zoufonon on piano and Sharam Kazemi on dumbek, is well versed in the spatial orientation of Modirzadeh's composition and approach to the inclusion of improvisation. This is not that far outside the realm of Ornette Coleman's harmolodics, and the artist was certainly influenced by it, but the individual solos matter less here, and pace -- with its restrained use of tension and ballast -- is emphasized more. Also, the texture of each instrument as it is drawn into the discourse of the group and extends itself in solo is of primary importance. This is a two-act work, which covers so much ground it's dizzying by the end. However, Modirzadeh does so in such a lyrical and sensuous way, and it becomes a joy to have been overwhelmed by such a singular work of art. This man is a composer to watch. -Thom Jurek, All Music Guide
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