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Hal Russell
Hal Russell (born Harold Luttenbacher) was an American free jazz composer, band leader and mult-instrumentalist who performed mainly on saxophone and drums but occasionally on trumpet or vibraphone. Russell's fiery music was marked by significant humor, not unlike much of Dutch drummer Han Bennink's output. His music was so accessible that People magazine hailed The Finnish Swiss Tour on ECM as one of its top 5 albums of the year. Russell set the table for the free improv and free jazz scene which exploded later in the 1990s in Chicago.
Born in Detroit in 1926, and raised in Chicago from the 8th grade, Russell began playing drums at age four, but majored in trumpet at college; he subsequently drummed in several big bands, including those of Woody Herman and Boyd Raeburn.
As with many young players in the mid-1940s, Russell's life was irreversibly changed by bebop. In the '50s he worked with an incredible chain of legendary players: Miles Davis, Billie Holiday, Sonny Rollins, John Coltrane, Duke Ellington. He succumbed to drugs and was a dedicated heroin addict for ten years. In 1959, he joined the Joe Daley Trio, whose Newport' 1963, which was mostly studio material, was reputedly one of the earliest free jazz records.
In the early '70s Russell was the regular percussionist for the band at the suburban Chicago Candlelight Dinner Playhouse. Here he played mostly drums, but occasionally vibes and keyboards. At the same time he would host many young, excellent jazz musicians for jam sessions at his home or in Chicago nightclubs.
In 1979, Russell formed the NRG Ensemble, which for most of its existence featured saxophonist Mars Williams, multi-instrumentalist Brian Sandstrom, and percussionist Steve Hunt, among others.[2] At this time he starting playing tenor saxophone, soprano saxophone and trumpet, in addition to drums and vibes.[3] Russell finally issued his first album in 1981 for the Nessa label. In the late '80s, the group began playing frequently in Europe, and began recording for ECM with The Finnish/Swiss Tour. Russell led the NRG Ensemble until his death.
In addition to the NRG Ensemble, Russell always maintained several auxiliary bands, a partnership with pianist Joel Futterman, the rock-oriented trio NRG 3 with Ed Ludwig on drums and Noel Kupersmith on bass, and The Flying Luttenbachers with Chad Organ on tenor sax and Weasel Walter on drum
Cited by some as a missing link between the AACM and later Chicago free jazz, Russell was experiencing greater public awareness before his death.
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Hal Russell's Chemical Feast: Elixir
by AAJ Staff
When one examines the evolution of jazz, certain key individuals stand out as turning points. For free jazz in Chicago, it was Hal Russell's various groups that eventually helped spur Mars Williams and Ken Vandermark to prominence (at least on record); and that has led us to a virtual avalanche of good music. So it's worth taking a closer look at the man who gave momentum to this turn.
In the early days, Russell was primarily a drummer. Elixir, a ...
read moreHal Russell: Albert's Lullaby
by Glenn Astarita
Multi-instrumentalist and beloved free-jazz pioneer Hal Russell passed away in 1991 as the newly released Albert’s Lullaby represents one of Russell’s final recordings. Russell and his “NRG Ensemble” were infamous for crafting abstract, gleefully rambunctious avant-garde jazz compositions and improvisations as Russell also helped establish paradigms for many of our younger and present day modern or – new – jazz stylists. With Albert’s Lullaby (referencing Albert Ayler), Russell along with bassist and producer Mike Staron, drummer Rick Shandling and pianist, ...
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