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Harry Lookofsky

Harry Lookofsky was an American jazz violinist. He was also the father of keyboardist-songwriter Michael Brown, who most notably was a founding member of The Left Banke and Stories. Harry Lookofsky was born in Paducah, Kentucky in 1913 and studied classical violin in St. Louis where he joined the St. Louis Symphony Orchestra in the mid 1930s. An early admirer of Joe Venuti, Lookofsky eventually became recognized as one of the earliest accomplished bebop jazz violinists. His technique became particularly recognized on his album Stringsville (1958, Atlantic). Lookofsky was one of many early jazz violinists who occasionally played tenor violin, an instrument he cited for its similar tonal qualities to the tenor saxophone. Another relatively unknown unique characteristic about Lookofsky's playing is that the bebop solos on Stringsville were completely written out and arranged as opposed to improvised as most jazz musicians do. An accomplished studio musician, Lookofsky also experimented heavily with multitrack recording in order to produce a unique sound with several overlaid violin tracks meant to imitate the sound of a horn section in a big band orchestra. Following his departure from St. Louis in 1938, Lookofsky joined the NBC Symphony Orchestra under Arturo Toscanini for a time while continuing to play jazz on the side. He continued his career as a classical symphony violinist later as concertmaster at ABC following Toscanini's retirement in 1954. Stringsville was Lookofsky's one major feature release. Aside from his classical and studio recording work, he was more often a contributing artist and/or arranger on other's albums. Over the years, his many jazz collaborators included Quincy Jones, Jaco Pastorius, Sarah Vaughan, George Benson, and Freddie Hubbard. Lookofsky co-produced the pop hit, "Walk Away, Renée", by The Left Banke, which was co-written by his son, Michael Brown, a founding member of the group. The arrangement was heavily influenced by classical music. Lookofsky also played strings on songs recorded by Stories, his son Michael's later band.


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Harry Lookofsky: Stringsville

Harry Lookofsky: Stringsville

Source: JazzWax by Marc Myers

I'm not a big jazz violin guy. No matter how you slice it, the instrument reminds me of the guy in the movies who shows up at lovers' tables in restaurants. For me, the jazz violin is too high-pitched, squeaky and relentlessly annoying. Of course, my personal taste takes nothing away from the swing-era violin masters. To be sure, they are technically marvelous. But I find the violin like trying to enjoy something that belongs someplace else. Like watching guys ...

Music

Recordings: As Leader | As Sideperson

Amazon

Jazz Station Records
1999

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Stringsville

Atlantic Records
1959

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