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James Brandon Lewis

Visionary composer and tenor saxophonist James Brandon Lewis’s bravest, yet most palpable artistic feat, Days Of FreeMan, opens with a poignant and profound introductory monologue from a maternal sage. She says, “The best thing of living is living who you are. You can’t be somebody else; you gotta be what God gave you to be and who you are. You look in the mirror and see yourself and say ‘I’m James Brandon Lewis.”’Next, bass and drums congeal around the sapphire melodic motif of “Brother 1976,” recalling one of those jazzy jewel-like hooks from a 1990s Native Tongue hip-hop jam. The effect is like 1990s hip-hop’s fascination with jazz being spit back by a prodigious jazz innovator. Welcome to Days Of FreeMan.

James Brandon Lewis is one of the modern titans of the tenor. He’s received accolades from mainstream cultural tastemakers such as Ebony Magazine who hailed him as one of “7 Young Players to Watch,” and earned the respect of a diverse cross section of esteemed artists. James has shared stages with such icons as Benny Golson, Geri Allen, Wallace Roney, Grammy® Award-winning singer Dorinda Clark Cole, and the late “Queen of Gospel Music,” Albertina Walker. In bold contrast, James has also worked with such intrepid artists as Weather Report bassist Alphonso Johnson, William Parker, Gerald Cleaver, Charles Gayle, Ed Shuller, Kirk Knuffke, Jason Hwang , Marilyn Crispell, Ken Filiano, Cooper Moore, Darius Jones, Eri Yamamoto, Federico Ughi, Kenny Wessel, Marvin “Bugalu” Smith, and Sabir Mateen. In addition, he has collaborated with the dance company CircuitDebris under the direction of Mersiha Mesihovic. James attended Howard University and holds an MFA from California Institute of the Arts.

Currently, James resides in New York City where he actively gigs as a sideman and leads his own ensembles. In NYC, he is a co-founder of “Heroes Are Gang Leaders” with poet Thomas Sayers Ellis—a collective of poets and musicians—and he is a member of the collective “Dark Matter,” a conceptual musical collaboration exploring that which is invisible but is detected by it’s gravitational effects. Outside NYC, James is an active national and international touring artist with a highly respected profile. Some career highlights are playing such esteemed festivals as Winter Jazz Festival /Sony Okeh records Showcase with William Parker and Gerald Cleaver; The Eric Dolphy Festival with an ensemble featuring Grachan Moncur III, Richard Davis, Andrew Cyrille, Angelica Sanchez , Ted Daniel , and Alfred Patterson; and Princeton University as part of Fred Ho’s “Journey to the West,” an interdisciplinary dance and music project.

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Album Review

Ches Smith: Laugh Ash

Read "Laugh Ash" reviewed by Glenn Astarita


Ches Smith's Laugh Ash is not your garden-variety jazz concoction. Instead, it is a genre-defying, shape-twisting auditory escapade that does not just push the envelope--it sends it soaring into the stratosphere. It is both bewildering and bedazzling. These compositions stand as a towering testament to Smith's impressive acumen as a drummer, percussionist, and composer, a veritable Houdini of the music world who escapes the shackles of convention to chart a mesmerizing course through uncharted musical terrains.Right from the ...

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Radio & Podcasts

James Brandon Lewis, Federico Ughi, Matthew Shipp & Fall Raye

Read "James Brandon Lewis, Federico Ughi, Matthew Shipp & Fall Raye" reviewed by Maurice Hogue


There are a lot of superlatives for the playing of saxophonist James Brandon Lewis floating about these days, and they're all well-deserved. JBL continues to make great music. His new Transfiguration with his quartet of Aruan Ortiz, Brad Jones & Chad Taylor--out on the Intakt label from Switzerland---keeps the momentum rolling. Mark this one down for another best-of. Drummer Federico Ughi is a principal owner at 577 Records, and his new Infinite Cosmos Is Calling You, You, You Volume 1 ...

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Album Review

Mendoza - Hoff - Revels: Echolocation

Read "Echolocation" reviewed by Glenn Astarita


In the ever-evolving landscape of contemporary jazz, Echolocation emerges as a bold exploration of sonic frontiers. Crafted through the collaborative virtuosity of Ava Mendoza on guitar and Devin Hoff on bass, this project embarks on a musical journey which delves deep into the avant-garde jazz realm, blending experimental rock, electric jazz, and the limitless creativity of neo-psychedelia. The album commences with “Dyscalculia," a track which weaves the raw energy of metal with the intricate layers of free jazz, ...

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Album Review

James Brandon Lewis: For Mahalia With Love (Expanded Edition)

Read "For Mahalia With Love (Expanded Edition)" reviewed by Chris May


Not since Oded Tzur's Isabela (ECM, 2022) has a comparably exalted tenor saxophone-led album come along, not until For Mahalia, With Love. Vaultingly great jazz and deep solace for the soul, For Mahalia, With Love was released in late 2023. An annual cycle for albums of this quality is actually a sufficiency, for there is enough in both these, and those that preceded them, to last a listener a lifetime. File next to John Coltrane's Crescent (Impulse!, 1964) and Albert ...

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Play This!

James Brandon Lewis' Red Lily Quintet: Sparrow

Read "James Brandon Lewis' Red Lily Quintet: Sparrow" reviewed by Chris May


Here is the opening track from James Brandon Lewis' Red Lily Quintet's For Mahalia, With Love (TAO Forms, 2023), a celebration of the music of Mahalia Jackson, remaining true to its original essence but framing it in a jazz context. Not since Oded Tzur's Isabela (ECM, 2022) has such an exalted tenor saxophone-led album come along. Is that Albert Ayler on the tenor, and brother Donald on the cornet? No, but having been summoned, the Aylers stay close to hand, ...

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Album Review

Ches Smith: Laugh Ash

Read "Laugh Ash" reviewed by Vic Albani


Dopo lo straordinario lavoro dedicato al Vudù haitiano del 2021 (Path of Seven Colors) anch'esso uscito per la straordinaria Pyroclastic Records di Kris Davis, il batterista, percussionista e compositore Ches Smith, acclamato dal New York Times come “uno dei batteristi più dinamici della scena sperimentale del pianeta," colpisce ancora con un nuovo sorprendente lavoro immensamente variegato, sorprendente (bisognerebbe scriverlo almeno due volte una dopo l'altra) ed imprevedibile sotto ogni punto di vista. La singolare visione musicale del musicista ...

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Album Review

James Brandon Lewis / Red Lily Quintet: For Mahalia, With Love

Read "For Mahalia, With Love" reviewed by Pat Youngspiel


Moving on chronologically from George Washington Carver--the African-American musician and influential agricultural scientist to whom James Brandon Lewis' previous recording with the Red Lily Quintet, Jesup Wagon (Tao Forms 2021), was dedicated--For Mahalia, With Love continues the pattern of paying homage to influential Afro-Americans who, in their own way, changed the course of history. This album's dedicatee is the early gospel queen Mahalia Jackson, whose seminal performances lit a spark in the saxophonist's grandmother; she in turn carried the spark ...

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Event

James Brandon Lewis & Chad Taylor Launch 2018 Season In Beacon, NY

James Brandon Lewis & Chad Taylor Launch 2018 Season In Beacon, NY

Source: James Keepnews

“James Brandon Lewis, a jazz saxophonist in his 30s, raw-toned but measured, doesn't sound steeped in current jazz-academy values and isn't really coming from a free-improvising perspective. There's an independence about him.” —The New York Times “With an insatiable appetite for music on the fringe, drummer Chad Taylor has been an active participant in the creative music environments of both Chicago and New York. Not confined to any particular style, Taylor threads an array of astounding patterns and cadences.” —All ...

“James Brandon Lewis, A Jazz Saxophonist In His 30s, Raw-Toned But Measured, Doesn’t Sound Steeped In Current Jazz-Academy Values And Isn’t Really Coming From A Free-Improvising Perspective. There’s An Independence About Him, And On “Days Of FreeMan” (Okeh), He Makes It Sound Natural To Play Roaming, Experimental Funk, With Only The Electric Bassist Jamaladeen Tacuma And The Drummer Rudy Royston, And Without Much Sonic Enhancement. The Record Sounds A Little Reminiscent Of What James Blood Ulmer And Ornette Coleman Were Doing In The Late ’70s And Early ’80s — On Records That Included Mr. Tacuma — But It’s Not Clearly Evoking A Particular Past. Maybe It’s An Improvised Take On Early ’90s Hip-Hop, As Mr. Lewis Has Suggested, But It Sounds Less Clinical Than That. It Sounds Like Three Melodic Improvisers Going For It." —The New York Times

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Concerts

Music

Recordings: As Leader | As Sideperson

Laugh Ash

Pyroclastic Records
2024

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Eye of I

Anti-
2023

buy

Echolocation

AUM Fidelity
2023

buy

Molecular Systemic...

Intakt Records
2022

buy

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