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Jean-Michel Pilc

Primary Instrument: Piano

Born in 1960 in Paris, self-taught, Jean-Michel Pilc has played with some of the best American and European jazz musicians: Roy Haynes, Michael Brecker, Dave Liebman, Jean Toussaint, Rick Margitza, Martial Solal, Michel Portal, Daniel Humair, Marcus Miller, Kenny Garrett, Lenny White, Chris Potter, John Abercrombie, Mingus Dynasty & Big Band, Lew Soloff and Richard Bona. He has also worked with Harry Belafonte, as his musical director and pianist.

While living in Europe, Jean-Michel toured in forty countries and participated in more than a dozen recordings, as well as many film scores.

Jean-Michel's desire to expand his musical experience brought him to New York City in 1995. There, he formed a trio with François Moutin (bass) and Ari Hoenig (drums). Soon, they were performing in most jazz venues in NYC, including: Blue Note, Birdland, Knitting Factory and Sweet Basil....
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    True Story

    Dreyfus Records
    2010
  • BUY

    New Dreams

    Dreyfus Records
    2008
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    New Dreams

    Dreyfus Records
    2007
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    Live At Iridium, New-York

    INaudible
    2005
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    Follow Me

    Dreyfus Records
    2005
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    Live at Iridium, New York

    Dreyfus Records
    2005
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    Follow Me

    Dreyfus Records
    2004
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Featured recording “True Story”

Latest Release

True Story

Dreyfus Records (2010)

Events Calendar

Date Event Ticket
Oct28 Jean-Michel Pilc
Cornelia Street Cafe
New York, NY

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”The right hand runs of jazz pianist Jean-Michel Pilc are enough to send shivers up your spine, but this Frenchman is about more than chops. His densely harmonic reinventions of standards you thought you knew clearly shows a musical genius at work.” --Eric Brace, The Washington Post

”Mr Pilc seems to have dropped from the sky fully formed, with technique and his ideas in place. He is a physical and densely harmonic player, a splashy stunner who also has a Rubik's-cube mind for chord substitutions.” --Ben Ratliff, New York Times

”...visual art references come to mind: Cubist renderings of melody in which the original is reshaped into a completely different visual perspective; the shimmering opaqueness of Impressionism in some of Pilc's lush harmonies.....

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