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John Gunther
Ben Markley: Ari's Funhouse
by Angelo Leonardi
Accade spesso nel jazz che dagli incontri estemporanei nascano le cose migliori. Il bandleader e arrangiatore Ben Markley e il batterista Ari Hoenig si sono conosciuti nel 2019 in un jazz festival del Texas. Da quell'incontro è nato questo progetto discografico, che ha visto Markley orchestrare le composizioni di Hoenig per la big band che guida a Denver. Il batterista è ospite dell'ensemble e dà il suo contributo con un vivace e articolato sostegno ritmico. L'album è stato registrato nel ...
read moreTed Piltzecker: Vibes on a Breath
by Jack Bowers
Even though Ted Piltzecker is a splendid vibraphonist and ushers a group of Colorado's leading jazz musicians through its paces on Vibes on a Breath, it is his sparkling arrangements that carry the day on this delightful new album. Several members of Piltzecker's septet double, and he makes the most of that versatility, writing charts that bring to the fore John Gunther's bass clarinet, Wil Swindler's baritone sax and (on the closing number) Judith Leclair's bassoon and Javier Diaz's percussion. ...
read moreBen Markley Big Band: Ari's Funhouse
by Jack Bowers
Ari's Funhouse, recorded in July 2021, sprang from a chance encounter at a Texas jazz festival in 2019 between New York-based drummer & composer Ari Hoenig and Denver-based pianist & arranger Ben Markley. After performing with Hoenig in a small group, Markley asked if he might score some of Hoenig's songs for a big band. Hoenig readily agreed, and after a lengthy Covid-induced pause, he and Markley's band finally met face-to-face in Denver to record the album. Two things are ...
read moreJohn Gunther Trio: In This World
by Jeff Stockton
The CIMP label has established a sound as distinctive as Blue Note's was in the '60s, but its artistic stance, outlined in the Statement of Purpose printed on the tray card of each release, causes as much consternation and controversy as the ECM Sound did in the '70s. Recorded directly to two tracks, in real time and with no post-recording refinement, the objective is to recreate the experience of a private concert. Loud passages may be a little too loud; ...
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Music
If I Only Had a Brain
From: Vibes on a BreathBy John Gunther
Birdless
From: Ari's FunhouseBy John Gunther