The music of saxophonist and composer Jorrit Dijkstra draws from the jazz tradition in spirit and sound, but has crossed stylistic and cultural borders in order to express a strong, evolving personal vision. He spent his formative years in Amsterdam’s vibrant improvisation community, playing jazz, free improvisation, contemporary opera, and African, Celtic and Balkan music. Since moving to the United States in 2002, Dijkstra has deepened his affinity with the experimental forces of American music, while staying in touch with his Dutch musical roots.
Dijkstra’s current projects include his Flatlands Collective, with leading Chicago improvisers, and an electro-acoustic duo with New York drummer/composer John Hollenbeck. In his solo saxophone project, he incorporates an array of electronic effect devices to process his saxophone improvisations live on stage. Dijkstra’s use of analog electronics - including the Lyricon, a vintage electronic wind instrument from the seventies - extends his already flexible saxophone style into an idiosyncratic mix of cool jazz, free improvisation, and electronic minimalism....
- Pillow Circles by Troy Collins
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- Maatjes by Troy Collins
- 30 Micro-Stems by Mark Corroto
“The most compelling feature are the melodies… that allow for delicious textures that sound at once modern and very nostalgic. Andrey Henkin, www.allaboutjazz.com
“Dijkstra hears the stylistic diversity within the networks that link his cohorts, and gives it space not just to breathe, but also occasionally to snort, howl and laugh riotously...
Primary InstrumentSax, alto