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Marilyn Crispell

Primary Instrument: Piano

Born: March 30, 1947    

Marilyn Crispell

Marilyn Crispell is a graduate of the New England Conservatory of Music where she studied classical piano and composition, and has been a resident of Woodstock, New York since 1977 when she came to study and teach at the Creative Music Studio. She discovered jazz through the music of John Coltrane, Cecil Taylor and other contemporary jazz players and composers. For ten years she was a member of the Anthony Braxton Quartet and the Reggie Workman Ensemble and has been a member of the Barry Guy New Orchestra and guest with his London Jazz Composers Orchestra, as well as a member of the Henry Grimes Trio, Quartet Noir (with Urs Leimgruber, Fritz Hauser and Joelle Leandre), and Anders Jormin's Bortom Quintet. In 2005 she performed and recorded with the NOW Orchestra in Vancouver, Canada and in 2006 she will be co-director of the Vancouver Creative Music Institute and a faculty member at the Banff Centre International Workshop in Jazz....
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    Parallel Moments

    Babel Label
    2014
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    Play Braxton

    Les Disques Victo
    2012
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    Affinities

    Les Disques Victo
    2011
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    Free Flight

    Les Disques Victo
    2011
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    One Dark Night I Left My Silent House

    ECM Records
    2010
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    Collaborations

    Les Disques Victo
    2009
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    Vignettes

    ECM Records
    2008
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Featured recording “Parallel Moments”

Latest Release

Parallel Moments

Babel Label (2014)

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”Hearing Marilyn Crispell play solo piano is like monitoring an active volcano. She is one of a very few pianists who rise to the challenge of free jazz.” —Jon Pareles, N.Y. Times

“Ms Crispell has created a rich personal expression that is breathtaking in its originality and visceral energy.” —Amy Duncan, Christian Science Monitor

”seeing and hearing Crispell play live is a stunning experience.... a passionate motivation that approaches shamanistic spirituality.” ”labyrinthine structures held together by a deeply personal logic” ”one of the most technically brilliant, imaginative and impassioned contemporary musicians now expanding the expressive potential of the piano.” —Derk Richardson, The East Bay Express (CA)

”Her improvisational approach is so personal, so explosive and so devastating that it makes jazz (and most other music) sound like the archaic language of an ancient people...

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