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Marta Sanchez

Born and raised in Madrid, Spain, pianist and composer Marta Sánchez is actively working in the contemporary creative music scene in New York City and around the globe. Charting a significant path through her innovative and original music, she has reached an international audience, gaining significant global recognition.

After finishing her classical training at the Conservatory, she began her academic training in jazz and contemporary music at School of Music Populart, earning a grant from A.I.E. (Spanish Association of Musicians.) The first band she created, Zafari Project, was selected by the Spanish agency for youth (INJUVE) as one of the most promising on the Spanish scene, giving them the opportunity to tour Spain playing in different jazz festivals. This band also won first prize at the international jazz contest Debajazz, which is not the only jazz contest Ms. Sánchez won. She also was awarded the first prize at the Jazzargia International Jazz Contest with the Javier Moreno Trio and the first prize at San Martin de la Vega Jazz contest with Natalia Calderon Quartet. She is the only musician in Spain who has been selected on three occasions by AECID (government agency for international development cooperation) to represent Spain at jazz festivals in different countries around South America, Central America and Europe; with her own band on two occasions (2009, 2012) and with the Natalia Calderon Quartet (2009). In 2010, she received the “A.I.E en Ruta” Touring Grant from the Spanish Association of Musicians. In 2011, she was awarded a Fulbright Scholarship, which allowed her to continue her studies at New York University (M.M.). During her time there, she went on an international tour in Costa Rica, where her group represented NYU at the famed Costa Rica Jazz Festival.

As a bandleader, she is currently working with her New York based Quintet with respected saxophonists Chris Cheek and Roman Filiu; with her band Room Tales, featuring singer Sara Serpa, and with the collaborative band “Snackasaurus Flex”, featuring Michael Attias. She is involved in many other music projects as a collaborator, performer, and/or studio musician in the United States and abroad.

Marta’s main project, her quintet, was created soon after she moved to New York, and since then has released three albums: “Partenika” (2015), “Danza imposible” (2017), and “El Rayo de Luz” (2019) all with the Spanish label Fresh Sound. All of the albums received high praise from American press. ”Partenika” received great reviews from The New York Times, Downbeat, All Music, All About Jazz, and many more. Not only that, but the recording was selected by The New York Times as one of the 10 best albums of 2015, including all genres, and it was also included on the lists of the best recordings of the year from the Jazz Journalist Association, Downbeat and All Music. The quintet’s next work, “Danza Imposible” was reviewed and highly praised in the famous public radio program “Fresh Air”, it got 4 stars from DownBeat, an excellent review from The New York TImes, on Nate Chinen’s program at WBGO, and it was also included in some lists of the best of 2017. “El Rayo de Luz” was also included in the The New York Times list of the Best 10 jazz albums of 2019, it was the editor’s pick of the December issue of Downbeat, got a four stars review also in Downbeat from Giovanni Russonello, it was featured on WBGO’s program “The Checkout” and a long etc. and After “Danza Imposible”, Marta’s music has been the subject of articles in publications including Jazziz and The New York Times. The New York Times highlighted Marta as an example in a year full of great projects led by women. Downbeat also interviewed her after her last release. She also released for Errabal Records: “La Espiral Amarilla” (2011) and Lunas, Soles y Elefantes (2008) and the work 49 Riiiing with D’Free Qi thanks to a grant by “Caja de Burgos”. As a sideman she has collaborated in many other CDs like “Hazel” with the Wing Walker Orquestra, “Matterhorn” with John Blevins, “Carry My Heart” with Indra Rios (Impulse Records), “Deluxe” with Crooked Trio, “Mediterraciones” and “Satierismos”, both with the Afrodisian Orchestra, “Lineas Paralelas” with the Talento Big Band, “Songs from my heart”, with Doris Cales, and “Flor Azul” with Natalia Calderon Quartet among others.

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Album Review

Ludovica Burtone: Sparks

Read "Sparks" reviewed by Angelo Leonardi


È un debutto discografico davvero significativo, questo di Ludovica Burtone, violinista friulana di formazione classica con un diploma in composizione del Berklee College of Music e un ottimo curriculum di collaborazioni con jazzzisti statunitensi e internazionali. Inciso a New York con un ensemble comprendente un quartetto d'archi e ritmica, più alcuni ospiti di rilievo (Melissa Aldana, Sami Stevens), il percorso musicale colpisce e affascina per la padronanza con cui Ludovica unisce le varie fonti d'ispirazione.

Album Review

Marta Sanchez: SAAM (Spanish American Art Museum)

Read "SAAM (Spanish American Art Museum)" reviewed by Alberto Bazzurro


La giovane pianista madrilena Marta Sanchez, ormai da tempo di stanza a New York, dirige in questo suo nuovo lavoro, inciso nel marzo 2021, un agguerrito quintetto con doppio sax che in un brano, “Marivi," si allarga a ottetto con l'ingresso di tromba (e che tromba: Ambrose Akinmusire), voce/chitarra e synth, dando sempre la precisa impressione di riuscire a dire ciò che sta nelle sue attuali corde. Il dialogo--l'interscambio--è per lo più fitto, vitale, ma sempre dall'alto ...

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Radio & Podcasts

New Releases from Marta Sanchez, Myra Melford, Julieta Eugenio and More

Read "New Releases from Marta Sanchez, Myra Melford, Julieta Eugenio and More" reviewed by Mary Foster Conklin


This broadcast presents new releases from flutist Ragan Whiteside, the Yu Nishiyama Big Band, saxophonist Julieta Eugenio, vocalist Bidi Dworkin, pianist Marta Sanchez, and Myra Melford's Fire and Water Quartet with birthday shoutouts to KJ Denhert, Jackie Cain, Tania Maria, Carmen Souza, Brittany Anjou, Yoko Miwa and Jennifer Wharton, among others. Thanks for listening and please support the artists you hear by purchasing their music during this time of pandemic so they can continue to distract, comfort and inspire.

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Radio & Podcasts

Tim Berne & Greg Belisle-Chi, Marta Sanchez and Matthew Shipp/Whit Dickey

Read "Tim Berne & Greg Belisle-Chi, Marta Sanchez and Matthew Shipp/Whit Dickey" reviewed by Maurice Hogue


A very mixed bag this time out with samplings from new releases by pianists Matthew Shipp (with drummer Whit Dickey), Australian Alister Spence with some European mates and Marta Sanchez; also new are releases from Tim Berne with guitarist Greg Belisle-Chi and Irish alto player Adam Nolan. You'll also hear music from some very interesting musicians from Argentina, and as this show marks the 10th anniversary of One Man's Jazz joining Taint Radio, I reminisce a bit with tunes from ...

Album Review

Marta Sanchez: Danza Imposible

Read "Danza Imposible" reviewed by Neri Pollastri


Terzo disco a proprio nome per la giovane pianista e compositrice madrilena Marta Sanchez, formazione classica e alcuni anni passati a New York dopo la decisione di dedicarsi interamente al jazz. La formazione che qui guida è un classico quintetto composta da un trio e da una front line di due sax, ma ha la particolarità di essere totalmente multinazionale, anche se tutti i musicisti attualmente risiedono a New York: il contraltista Roman Filiu ha origini cubane; il tenorista Jerome ...

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Album Review

Marta Sánchez: Danza Imposible

Read "Danza Imposible" reviewed by Dan Bilawsky


Dovetailing lines, capering rhythms, and colorful harmonies rise to the surface and coalesce on pianist Marta Sánchez's Danza Imposible. Just don't expect them to arrive in predictable fashion. Instead of taking the obvious pathways through or directly to an idea, Sánchez paves byways and discovers wormholes that prove far more interesting and meaningful as travel routes. Some of her writing is built around the idea of problem-solving, concept-making or code-breaking, and all of her music has strong conceptual footing, but ...

Lyrics

I 10 CD nel CD-Player di... Marta Sanchez

Read "I 10 CD nel CD-Player di... Marta Sanchez" reviewed by Vincenzo Roggero


01. Jaki Byard --The Last from Lennie's (Prestige--2003). Ho ascoltato spesso Jaki Byard durante l'ultimo anno. Ora sto indirizzando la mia attenzione su questo disco con Joe Farrell. La versione di “After You've Gone," suonata in trio è sorprendente. Subito dopo l'esposizione della melodia piano, basso e batteria eseguono dei soli. Lo stride di Jaki è semplicemente incredibile. 02. Bunky Green --Places We've Never Been (Vanguard Records--2006). Ho sentito questo disco dal sassofonista Michael Attias. ...

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“Her compositions are lyrical and infectious and never overly mannered. They remind us that a great chamber-jazz composer can inject vitality into well-trodden influences” ★★★★ Downbeat (Giovanni Russonello)

“The pianist Marta Sanchez has one of the most quietly memorable groups in jazz” New York Times (Giovanni Russonello)

“It’s an ambitious record by a strong new group” The New York Times. Ben Ratliff

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Music

Recordings: As Leader | As Sideperson

Sparks

Outside in Music
2023

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SAAM (Spanish...

Whirlwind Recordings
2022

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El Rayo de Luz

Fresh Sound Records
2019

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Danza Imposible

Fresh Sound Records
2017

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Partenika

Fresh Sound Records
2015

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