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Martin Stehl

Primary Instrument: Keyboard

Martin Stehl

Martin Stehl, producer and award-winning multi-instrumentalist presents his original sophisticated debut album using blended consistent arrangements, incisive rhythms and intense melodies all infused with modern elements.

Renown musicians Torsten de Winkel (guitar) and Frank Spaniol (saxophone), are featured, along with many guest players who display their exceptional improvisations to ennoble this unique recording.

A real musicians performer, Martin Stehl is actually a drummer & pianist since the early teenage years and thus explains his composing side as well in the Pop / House / R&B & Jazz genres. What is key for his work is blending not only electronica styles together but also live instruments through his filtering talents which make the two elements come through seamlessly in the end. This is true artwork in sound design....
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”These songs are the result of the finely-woven sounds of Fusion- and occasionally Latin influenced style with a light dance impact reminiscent of the song Hypnotize. The focus here lies clearly on the creation of a velvety and flawless production devoid of any rough edges that simply sparkles. One is captured by Stehl's work,expertly crafted in a loose relaxed manner and is totally captivating.” (Publication Drum Magazine: Drums & Percussion, Germany)

“Saxophone lovers and audio-gourmets alike are rewarded as they enjoy listening to the melodic jazz compositions that flow gently into their ears as one luxuriates in a relaxed jazz-fusion ambiance.” (Newspaper review: Hessische/Niedersächsische Allgemeine, Germany)

“The multi-instrumentalist understands that instruments in these songs are brought to the fore, and thus keeping the sound of the album alive.” (Publication Drum Magazine: Drum Heads!!, Germany)

“A perfect album for warm summer nights.” (Jazz Magazine: Jazz Drummer World, Switzerland)

“This is a special listening pleasure. Arrangements are subtly done, resulting in a melodic version of bar jazz which can be enjoyed either as a live stage performance or when listening to the recording downloaded to one's mp3 player.” (Jazz Magazine: Jazz-Institute Schleswig-Holstein, Germany)

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