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Matt Criscuolo
Many saxophonist, take the approach of complete domination within a release. Criscuolo takes the approach of a team presentation. His purposeful intent is to focus on a well-rounded project that is poignant, emotive and thought provoking. Of the 10 songs, three are Criscuolo’s originals that display his compositional talents and thought provoking lyrical approach.
Matthew studied at Manhattan School of Music, and has performed and/or recorded with Artt Frank, David Murray, Etta Jones, Rich Perry, Harold Dank, Gerry Mulligan and many more.
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Matt Criscuolo: Headin’ Out
by Alberto Bazzurro
Un ben amalgamato, efficiente quartetto con la chitarra di Tony Purrone (suoi anche due dei nove temi in scaletta, Karma at Dharma" e R 510 Select") come strumento armonico, firma questo nuovo album (dovrebbe trattarsi del sesto) di Matt Criscuolo. Non aspettatevi novità sconvolgenti, o tratti di particolare originalità, ma una musica del tutto onesta suonata con bel piglio, senza troppo indulgere in certo posticcio bon ton e plastificazioni varie che non di rado imbellettano lavori di questo ambito, sì, ...
read moreMatt Criscuolo: Blippity Blat
by Glenn Astarita
Matt Criscuolo is a restaurateur in Connecticut, but also a veteran alto saxophonist and not just a hobbyist with spare finances to record albums. With his fourth outing as a leader, he once again aligns some of the finest jazz artisans such as, pianist Larry Willis and French horn maestro, John Clark. Criscuolo possess a unique tone that often resonates with an inherent stereo sound, bridging a touch of lower register warmth with the alto sax's altissimo register. He combines ...
read moreMatt Criscuolo: Lotus Blossom
by Dan McClenaghan
Alto saxophonist Matt Criscuolo's sound strikes me as quite distinctive on his second release, Lotus Blossom. The opening title tune is Billy Strayhorn's lovely, wistful composition, featuring Criscuolo dueting with pianist Larry Willis. The altoist's tone has a tart tang, like a drink of lemonade a wee bit short--bracingly so--on the sugar. The underrated veteran saxman Frank Morgan comes to mind in terms of tone, as well as in terms of attitude, with an energetic, fresh-sounding bop mood as the ...
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