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Matt Herskowitz

Primary Instrument: Piano

Matt Herskowitz

Uniquely combining the superlative technique of a classical virtuoso with his prowess in jazz, world music and free improvisation, pianist, composer and arranger Matt Herskowitz has carved out a unique and personal voice in music. Over the course of the last decade, Matt has produced a series of critically-acclaimed recordings, premiered his works in settings from New York's Central Park to Germany's Köln Philharmonie, collaborated with top classical, jazz and pop artists, and has performed at music festivals across the globe.

His newest release, for Justin Time Records, is Matt Herskowitz Upstairs, a solo outing ranging from Gershwin to Schumann to Dave Brubeck to originals by Herskowitz, including Bella's Lament and “Bach à la Jazz,” his arrangement of Bach's Prelude in C Minor which Herskowitz previously recorded for EMI's Grammy-nominated soundtrack to The Triplets of Belleville. In naming the release “Solo Album of the Year,” Le Devoir declared: “Herskowitz deploys his art with a rare passion, but without ever sacrificing musicality. Exceptional technique, precise sense of nuance, Herskowitz here brilliantly fuses his mastery of jazz and classical.” And Downbeat magazine praised Upstairs in its Editor's Picks: “Throughout these eight tracks, [Herskowitz] displays touch, power, artistry and chops along with a firm grasp of the daring needed for a great performance.” ...
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    Forget Me Not

    Meniscus
    2005

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Featured recording “Matt Herskowitz: Upstairs”

Latest Release

Matt Herskowitz: Upstairs

(2012)

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Reviews for Matt Herskowitz: Upstairs

“Throughout these eight tracks, [Herskowitz] displays touch, power, artistry and chops along with a firm grasp of the daring needed for a great performance ... Herskowitz packs the program with beautifully played jazz chestnuts and original compositions.” - DOWNBEAT, Editor's Pick

“An impressive solo performance by pianist Matt Herskowitz … His baroque to bop ‘Bach a la Jazz’ spotlights formidable technique, while his uptown stylings of Gershwin’s ‘But Not For Me’ is upright and sophisticated. He finally lets loose on a hotcha reading of ‘I’ve Got Rhythm’ making a well-rounded evening...

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