Born: May 2, 1943
Emanating from a musical hotbed in Pittsburgh; his maternal grandmother performed in minstrel shows, and taught piano; she had graduated cum laude; taught English to Italian immigrants, and taught Mickey & his cousins Barbershop Harmony. Her daughter, Mickeys' mother also sang & danced. He was born, into all of this on May 2nd 1943... Lee Oddis Bass III.
A Pittsburgh born Bassist, who became, and is, a Major force on The New York Jazz Scene for more than 40 years.
In 1966 Downbeat declared him to be “A first rate soloist!” In 1970 Downbeat said “Definitely worth listening to! His melodious ideas are something to behold... While performing with the great Jimmy McGriff Essence Magazine cited him to be The Heartbeat of The Group and while playing with Freddie Hubbard, Lee Edwards found Mickeys' Ensemble work to be Nothing short of brilliant!...
AwardsA National Endowment for the Arts, Composer’s Grant, in 1980; with which he wrote a String Quartet with Jazz Rhythm Section and miscellaneous percussion.
This Harlem club is synonymous with the birth of bebop. Throughout the nineteen-forties, the cream of the jazz scene jammed with such upstarts as Dizzy Gillespie, Thelonious Monk, and Kenny Clarke as a new music came into being. Closed since the early seventies, the legendary night spot reopened in the spring. Nov. 10-11: The bassist Mickey Bass, a hard-bop veteran, brings his Manhattan Burn Unit in to stir up new memories.
JAZZ IMPROV. NY Magazine, January 2007
“A seasoned and formidable Bass player, Mickey hasn’t missed a beat... His longevity and musical expertise has deepened and matured with time and experience. The genuine, uncontrived nature of this Music, and its' ability to provide a conduit to the souls of both performers and listeners alike can only serve to inspire.
THE WASHINGTON POST
MICKEY BASS & His Manhattan Burn Unit
Bass player Mickey Bass didn't shoot the Piano player...He just didn't bring one to his gig at the One Step Down. Nor was the instrument missed last night, what with the melodic bent of the Quartets' Leader and the pianistic approach of Vibist Steve Nelson.
The credentials of the four include work with Art Blakey, Freddie Hubbard and Dexter Gordon, and it shows in the brightness of their compositions and their familiarity with the modern Jazz tradition.
Alto Saxophonist Bobby Watson dived from on high at the
first note of One For Trane and soared for five minutes or
more over the gale force of the others. Nelson combined
rhythmic boost with long flowing lines out of which surfaced
brief quotes from other tunes.
W. Royal Stokes
THE NEW YORK TIMES
“When Mickey Bass & The Cooperation get in the right groove, ( the ‘right groove’ being a loose, driving up-tempo) it is doubtful if there is a jazz group in town that swings as hard as this one.”
John S. Wilson.
Kicking Mule Records
This information is provided by discogs.com or the profile administrator.
New York, NY
Willing to teach:
Intermediate to advanced students
Teacher at Jazz-Mobile, Inc. 1965 to present
Mickeys Accredited College Curriculum, The Diminished Whole Tone Concept is currently being used at Jazz- Mobile as a Model for other teachers to follow.
Adjunct Faculty Professor; Hartt College of Music, Hartford, under the Chairmanship of Jackie McLean from 1982 to 1985.
Taught at The Ellington School of the Arts, Washington D.C. from 1975 to 1978.
Although Bass is my Instrument, my teaching Methods derive from my own Original, College Accredited Jazz Improvisation Method and can be equally applied on any Instrument.
"In the true Tradition of the Jazz vernacular, that has been passed down through the Generations; this Curriculum offers an opportunity for a Composer to shape his Music, in a very personal style."
Dr. Billy Taylor
Accepts Private Students.
Small Group Classes are offered.
Please contact me for more details.