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Monk's Music Trio

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Primary Instrument: Band/orchestra

Monk's Music Trio

Drummer Chuck Bernstein was born in San Francisco California on October 28, 1940. He studied tap dance (1951-1953) and sang in the Beth Israel Junior Choir (1954-1955). Mainly self-taught, Chuck began playing drums in August 1955. Later, he studied with Art Flower at Drumland (1964-1965), John Rae (1964), George Marsh (1979-1981), and Scott Morris (1994-1995). Chuck was also a contributing writer for Modern Drummer magazine (1981-1985)--best known for his interviews with Shelly Manne, Billy Higgins, and George Marsh. A highly adaptable musician, he has performed in a variety of musical settings, from Blues to Rock to Jazz: (Blues) Charlie Musselwhite, Luther Tucker, Freddie Roulette, Mike Henderson, Lisa Kindred, and Nick Gravenites; (Rock) Barry Melton, John Cippolina, Peter Albin, Mike Wilhelm, John Kahn, Billy Roberts, and Greg Douglas; (Jazz) Roswell Rudd, Norma Teagarden, John Rae, Don Prell, Smith Dobson, Mel Graves, Mike Formanek, Chuck Travis, Don Alberts, Al Obidinski, George Maribus, Jon Erikson, Vince Wallace, Steve Weber, Max Perkoff, Paul Breslin, and Sweetie Mitchell. Chuck has also performed in Japan with pianists Sadayasu Fujii, “Tad” Sakai, Vibist Hiroshi Matsumoto, and guitarists Takeshi Yamaguchi and Satoshi Inoue. Major influences: Shelly Manne, “Papa” Jo Jones, Kenny Clarke, Max Roach, Roy Haynes, and Thelonious Monk....
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  • BUY

    Delta Berimbau Blues

    CMB Records
    2008
  • BUY

    Monk On Mondays

    CMB Records
    2007
  • BUY

    Monk's Bones

    CMB Records
    2006
  • BUY

    Think Of One

    CMB Records
    2005

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Featured recording “Delta Berimbau Blues”

Latest Release

Delta Berimbau Blues

CMB Records (2008)

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”With sonic associations suggesting Mississippi Delta blues, Native American folk music, and sounds from the heart of the Amazonian rain forest, Bernstein's primordial berimbau proves an improbable yet imaginative means of expanding the Monkian palette.”

Dr. Chuck Berg, University of Kansas, Down Beat, Jazz Times, Coda, and the Oxford Companion to Jazz

”What is it that makes this music relevant and different? For one, the use of the berimbau on “Friday the 13th”. The single-string instrument resonates in the Delta blues, Bernstein tapping the feel and then getting the percussive shakers to add to the motif...

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