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Ranky Tanky
“Gullah” comes from West African language and means “a people blessed by God.” “Ranky Tanky” translates loosely as “Work It,” or “Get Funky!” In this spirit this Charleston, SC based quintet performs timeless music of Gullah culture born in the southeastern Sea Island region of the United States. From playful game songs to ecstatic shouts, from heartbreaking spirituals to delicate lullabies, the musical roots of Charleston, SC are “rank” and fertile ground from which these contemporary artists are grateful to have grown.
South Carolina natives Quentin Baxter, Kevin Hamilton, Charlton Singleton, and Clay Ross first came together in 1998, fresh out of University, to form a seminal Charleston jazz quartet. Now, united by years apart and a deeper understanding of home, these accomplished artists have come together again, joined by one of the low-country’s most celebrated vocalists Quiana Parler, to revive a “Heartland of American Music” born in their own backyards.
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Ranky Tanky: Good Time
by Chris Mosey
Why change a winning formula? Ranky Tanky's follow-up to their hit debut album takes things further in the same vein: a heady mix of gospel and traditional Gullah songs from the Sea Islands of South Carolina, laced with original music and lyrics. The emphasis this time is on a pounding beat generated by the electric guitar of lone white man Clay Ross and the drumming of Quentin Baxter. Much of the music, especially Pay Me My Money ...
read moreRanky Tanky: Good Time
by John Bricker
The West African phrase Ranky Tanky roughly translates to get funky" or work it," according to the band's website. The band earns this title with danceable blends of gospel and jazz, celebrating the Gullah culture found in their home state of South Carolina. Although Good Time delivers more infectious energy than their self-titled debut, Ranky Tanky fails to leave a lasting impression due to weak arrangements and lackluster lyrics. In 2017, Ranky Tanky's first album introduced their unique ...
read moreRanky Tanky: Ranky Tanky
by Chris Mosey
Ranky Tanky are based in Charleston, South Carolina. They specialize in jazz-and blues-influenced arrangements of the traditional music of the Gullah people, who came from West Africa as slaves in the 19th century. They were brought to South Carolina's Low Country and Sea Islands to work on plantations where their knowledge of rice cultivation could be put to good use and where high humidity and mosquitoes made life unbearable for whites and blacks from elsewhere in Africa. Best-known descendant of ...
read moreRanky Tanky: African Rhythms Preserved
by Martin McFie
Liberia, the West African country named for freedom, was partly financed by wealthy Americans as a haven for people who escaped enslavement. Its capital Monrovia was named for US President Monroe. The Gola (also called Gula) tribe are indigenous to the northern borderlands of Liberia with Sierra Leone. The Gola people are farmers who weave swamp grass, grow rice, corn and okra as their staple food. The comparison to the American Carolina Gullah traditions of eating rice, corn ground into ...
read moreRanky Tanky: Ranky Tanky
by James Nadal
Against all odds, the Gullah tradition prevails on the Sea Islands of South Carolina's Low Country. Maintaining their West African traditions and singular way of life for generations, their direct impact on African-American music is undeniable, and continues to be a vital source of inspiration. Combining revered Gullah kinship with a jazz sensibility, Ranky Tanky accentuates the spirituality connected to the ring shouts and praise houses, proposing a modern rendition of their ancestral music. Ranky Tanky loosely translates ...
read moreAnnouncing The 12th Annual TD James Moody Jazz Festival Presented By The New Jersey Performing Arts Center November 3-19, 2023
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AMT Public Relations
The New Jersey Performing Arts Center (NJPAC) today announced the line-up of the highly anticipated 12th annual TD James Moody Jazz Festival, running from November 3-19, 2023. This year’s program showcases both legendary and emerging artists exploring jazz through the lens of Afrofuturism, Latin music, dance, soul, and more. Presented by way of unique genre-crossing collaborative concerts, this year’s program reflects on the amalgamation of jazz both in its musical form as well as in its force for and response ...
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