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Bill McBirnie

Born: May 23, 1953    Primary Instrument: Flute

Bill McBirnie

Bill McBirnie is a jazz and Latin flute specialist based in Toronto, Ontario, Canada. He has studied with renowned American flutist, Samuel Baron, distinguished Canadian flutist and composer, Robert Aitken, as well as Cuban charanga legend, Richard Egues. Bill has also been solicited by no less than Sir James Galway to serve as his resident Jazz Flute Specialist at Sir James' official web site.

Bill is well known for his outstanding technique. However, he is also recognized as an exceptional improviser (notably in the bebop, swing and Latin idioms) as demonstrated by his recordings as a sideman with Junior Mance, Irakere, Memo Acevedo and Emile-Claire Barlow. Needless to say, Bill has performed and recorded extensively with Toronto's finest musicians and is a longstanding charter member of Bernie Senensky's Moe Koffman Tribute Band....
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Awards:

National Jazz Awards - Flutist of the Year
Winner of the National Flute Association (NFA) Jazz Flute Masterclass
Winner of the NFA Jazz Flute Big Band Competition
National Jazz Awards - Nominationed - (1) Record of the Year (Paco Paco) and (2) Instrumentalist of the Year
Winner of the Toronto Independent Music Award (TIMA) for Best Jazz
”...A superior jazz flutist...As with many Canadian players, his fame has not often reached below the border into the United States but his music is well worth knowing. He sounds unlike anyone else having developed his own musical personality yet within the traditions of the music. McBirnie has two recent releases, Nature Boy and Paco Paco. Both sets are highly recommended.” (SCOTT YANOW, Los Angeles Jazz Scene)

“Bill McBirnie is one of the finest jazz flute performers in jazz today...His technique is flawless and sensual...Simply excellent!...” (LEE PROSSER, Jazz Review)

“Toronto's Bill McBirnie occupies the rarefied air of jazz flute with a sense of style and swing that sets him apart. There are precious few flutists who can make the instrument burn with musical intensity the way McBirnie does...McBirnie shows a range of emotional colours on both Latin and jazz standards in duo and quartet configurations...McBirnie deserves to be placed alongside Moe Koffman and Herbie Mann in the pantheon of jazz flute.” (ANDY SHEPPARD, After Hours, CBC Radio)

“Include Bill McBirnie as an integral player in Canadian jazz. The Toronto-based flautist has marked his credentials through recordings of his own as well as appearances on albums by Junior Mance, Memo Acevedo and Irakere...Listening to McBirnie also makes his credentials clear. He dips into the nectar of a melody and his dulcet tones rise to trigger the core of his imagination for some really fascinating improvisational flights. These facets are made abundantly clear on Paco Paco...” (JERRY D’SOUZA, All About Jazz)

“Bill McBirnie has a powerful claim to be Canada's best player on flute...What always stands out is his outstanding tone, agile technique and fecund imagination.” (GEOFF CHAPMAN, The Toronto Star)

“I highly recommend Nature Boy. The music is joyous and energetic throughout...I'm just itching to play it for some classical flutists I know. I can't wait to see the expressions on their faces when they hear Bill practically turn the flute inside out on Teaneck.” (MERLIN WILLIAMS, Wholenote Magazine)

“Now that the great Moe Koffman is no longer among us, there's an opening in Canada for an outstanding straight- ahead jazz flutist and, with Nature Boy, Bill McBirnie has submitted his application and staked his claim...In the liner notes, McBirnie is modest about his talents but he needn't be. He has absolutely great chops, a clear sparkling sound and enough luminous ideas to brighten anyone's melancholy frame of mind.” (JACK BOWERS, All About Jazz)

“...With subtle playing, mature and confident swing, beautiful and well-chosen compositions throughout, there is now nothing to stand in the way of Bill McBirnie qualifying for the outstanding reputation he has developed.” (BERENGERE RICHARD, Traversieres Magazine, The Official Magazine of the French Flute Association)

“With a full tone, pin-sharp articulation, the occasional witty quote and some jazz licks that pay a compliment to the listener who can catch them (and which sometimes evaporate before they can be fully identified), McBirnie demonstrates that he is an impressive performer by any standard...This album is a treasure.” (DON SMITH, Night Train, 3RPP FM, Australia)

“Canadian, Bill McBirnie, has good claim to be the instrument's best champion since the late Herbie Mann. A fluid player with a firm command of tone and no interest in the overblown roughness adapted by many flute players after Roland Kirk, McBirnie has his own elegant way with bop, ballads, bossa and gospel.” (RANDAL MCILROY, Style Manitoba)

“McBirnie is indeed a fluid player with a sound and tone that is absolutely as good as it gets.” (JOHN GILBERT, ejazznews.com)

Full Length Releases: - FIND YOUR PLACE (featuring Bernie Senensky & Anthony Michelli) 2014 - Mercy (Featuring Robi Botos) 2010 - Paco Paco (Featuring Bernie Senensky) 2006 - Nature Boy (Featuring Mark Eisenman) 2004 - Scratch It! (A Bill McBirnie Production) - Extreme Flute - 2002 - Desvio (Featuring Bruce Jones) - Extreme Flute - 1998 THE BILL MCBIRNIE DUO/QUARTET (FEATURING ROBI BOTOS) - MERCY Following up on his two previously acclaimed acoustic projects - Nature Boy with Mark Eisenman and Paco Paco with Bernie Senensky - “extreme flutist”, Bill McBirnie, has come out swinging and scintillating once again with yet another exceptional acoustic flute release—Mercy. On Mercy, Bill joins forces with Romani piano sensation, Robi Botos, for a series of duos and, for the remaining quartet pieces, Bill couples Robi with a steadfast rhythm section consisting of the sure-footed Pat Collins on bass and the rock-solid John Sumner on drums. Mercy presents a diverse - as well as gratifying - mix of both duo and quartet tracks that run the gamut from bebop (“Yardbird Suite”) to bossa nova (“Gentle Rain”) right through to Dixieland (“Way Down Yonder in New Orleans”). In addition to the more standard fare is the title track, "Mercy”, a poignant rhapsody written by pianist, Robi Botos. In keeping with Bill’s previous two Extreme Flute releases, Mercy remains faithful to the spontaneous and down-to-earth qualities of a blowing session resulting in another album with inevitable “drop-the-needle-anywhere” charm and allure. The album clocks in at precisely 60:00 minutes and, in so doing, provides one hour of great listening with repertoire that consists of the following: (1) Baila Cinderella (Hubert Laws) – cha cha cha (2) Willow Weep For Me (Ann Ronell) – ballad (3) Airegin (Sonny Rollins) – bebop (4) Stuffy Turkey (Thelonious Monk) – medium swing (5) Gentle Rain (Louis Bonfa) – slow bossa nova (6) I’m Walkin’ (Bartholomew/Domino) – medium swing (7) Yardbird Suite (Charlie Parker) – bebop (8) Way Down Yonder In New Orleans (Creamer/Layton) – Dixieland (9) Moment’s Notice (John Coltrane) – up swing (10) Minha Saudade (Joao Donato) – medium bossa nova (11) Groovin’ High (Dizzy Gillespie) – bebop (12) Mercy (Robi Botos) – slow rhapsody Mercy is available at major retailers and from CDBaby as well as iTunes. [NOTE: Do not hesitate to contact Bill for interviews regarding The Bill McBirnie Duo/Quartet (Featuring Robi Botos) Mercy. You can reach Bill directly by email at billmcb@idirect.com or by phone at (416) 652-1541.]

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Primary Instrument:
Flute

Location:
Toronto, Ontario

Willing to teach:
Advanced students only.

Credentials/Background:
Typically, the people who come to me are (1) classical players who are trying to cross over into jazz and (2) doublers who want to improve their flute technique for jazz purposes. My students genuinely appreciate what I have to offer because it is...singular...peculiar to the flute...and, most importantly, it is not in any books!

Clinic/Workshop Information:
My clinics are of interest to both flutists and doublers who want to explore and develop the techniques necessary to play in jazz and other non-classical contexts. The focus is on how to alter your technique in order to achieve more convincing and musical results in non-classical settings. We also explore some useful ways to approach the craft of improvising.

- Wm. S. Haynes Flutes - Robert Bigio Crowns & Stoppers - Countryman & Associates, Inc. (Isomax 2)

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Events Calendar

Date Venue Ticket
Jun22 The Hothouse Restaurant And Bar
Toronto, Canada
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Jun23 The Hothouse Restaurant And Bar
Toronto, Canada
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Featured recording “Find Your Place”

Find Your Place
Extreme Flute (2014)
Download jazz mp3 “Yes Or No” by Bill McBirnie Trio
  • Yes Or No
  • Bill McBirnie Trio
  • Find Your Place
Download jazz mp3 “Willow Weep For Me” by Bill McBirnie

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