Born: April 9, 1920 | Died: February 15, 2010 Primary Instrument: Accordion
The hippest cat ever to swing an accordion, Art Van Damme dared go where no man had gone before: jazz accordion. He started taking accordion lessons at the age of nine, and moved on to classical studies after his family moved to Chicago, Illinois, in 1934. After leaving school. he played in a trio in local clubs under big band leader Ben Bernie hired him in 1941. He soon returned to Chicago, though, and continued to work the club circuit there throughout World War Two.
Van Damme was inspired by swing recordings, particularly Benny Goodman's, and in the late 1930s, he began experimenting, adapting Goodman solos to the accordion. Throughout his career, he would often be compared to Goodman, since the two were both classically trained, technical masters of their instruments, and versatile and creative jazz soloists. He formed a quintet with several of his studio colleagues, and recorded his first album, for the small label, Music Craft, in 1944.
More Cocktail Capers LPHe joined the staff of NBC Radio in Chicago in 1945 and remained a studio musician for over 15 years, even after he became a recording artist in his own right. His early style fits into a small but at the time quite popular niche between the cocktail piano sound and the accordion/guitar/organ sound of the Three Suns. In fact, his earliest albums for Capitol and Columbia all had titles that made this connection explicit: Cocktail Capers; Martini Time; Manhattan Time.
Despite liner notes that described this music as background for badinage, these are excellent albums, if far more subdued that the bebop they shared the record bins with. Van Damme's introduction of the accordion as a featured jazz instrument was well-received critically, and in 1947, Downbeat magazine put his photo on the cover of one of their issues. He would go on to voted Top Accordionist in Downbeat's annual poll of jazz musicians for ten years in a row. Later, he was similarly recognized by Contemporary Keyboard magazine for five years in a row.
As time went on, Van Damme moved into more adventurous territory, closer to mainstream jazz. His later Columbia albums feature him at the lead of small, tight combos, and include a mix of standards and Van Damme's own slightly bebop-ish originals. Accordion a la Mode may be his best album, although A Perfect Match, in which he pairs with the fine jazz guitarist Johnny Smith, is a favorite among fans of what's been called light jazz.
Van Damme never had a problem finding a gig, and performed at clubs and hotels throughout Europe and the U.S. Over the course of over fifty years of performing, he traveled to Europe nearly 40 times and played everywhere from the Desert Inn in Las Vegas, to the Blue Note in New York, to Disney World in Florida. He also appeared on numerous television shows, from The Tonight Show to The Dinah Shore Show. In the early 1950s, his quintet also recorded over 130 15-minute segments for NBC Radio. He claims that his performing kept him so busy he never needed to practice, and says that he probably played his accordion at home less than six hours total in all that time.
After leaving NBC Radio in 1960, Van Damme opened a music store and accordion studio in Chicago, but he continued to tour regularly. He left the recording mainstream when his contract with Columbia Records ran out in 1965, but was quickly signed by the German jazz label, MPS, and went on to record 16 albums for them. Since 1980, he has recorded less frequently, usually for small jazz labels, including an excellent album with the group Singers Unlimited on the Pausa. He gradually shifted his focus from clubs to accordion and jazz workshops, telling one interview that, The audience is more attentive and listens more intensely.
Although a number of other accordionists ventured into jazz territory after Van Damme broke the trail, he remains the acknowledged master. As one reviewer recently wrote, he dispatches Right-hand runs with a velocity and lightness of touch that defied the presumed limitations of the instrument, while at the same time, Consistently emphasizing the lyric contours of a melodic phrase rather than the lightning technical flourishes that led up to it.
He eventually retired to Florida. He announced at his 75th birthday party that he intended to hang up his squeezebox for good, telling one interview that he felt like he'd played enough for one lifetime, but he continues to perform occasionally, appearing in Los Vegas and Chicago during 2002.
Source: Space Age Pop Music
- Cocktail Capers, Capitol T178
- More Cocktail Capers, Capitol T300
- More Cocktail Capers, Capitol H300 (10")
- The Van Damme Sound, Columbia CL-544
- Martini Time, Columbia CL-630
- Martini Time, Columbia CL-6265 (10")
- Manhattan Time, Columbia CL-801
- Art Van Damme & Miss Frances Bergen, Columbia CL873
- The Art Of Van Damme, Columbia CL-876
- They're Playing Our Song, Columbia CL-1227
- Everything's Coming Up Music, Columbia CL-1382/CS-8177
- Accordion a la Mode, Columbia CL-1563/CS-8363
- Art Van Damme Swings Sweetly, Columbia CL-1794/CS 8594
- A Perfect Match (with Johnny Smith), Columbia CL-2013/CS-8813
- House Party, Columbia CL-2585
- Septet, Columbia CS-8992
- Music For Lovers, Harmony (Columbia) HS 11239
- Many Mood Of Art, BASF MC 25113
- Star Spangled Rhythm, BASF MC 25157 (2 record set)
- Art In The Black Forest, MPS (West Germany) MPS 15172
- Art Van Damme & Four Brothers, MPS (West Germany) MPS 15236
- Lullaby In Rhythm, MPS (West Germany) MPS 15 171
- State Of Art, MPS (West Germany) 841 413 2
- On The Road, MPS (West Germany) MPS 15235
- Blue World, Pausa PR 7027
- Keep Going, Pausa PR 7104
- Squeezin' Art & Tender Flutes, Pausa PR 7126
- Art Van Damme & Friends, Pausa PR 7151
- The Art Of Van Damme, Phillips (Holland) B 07189
- Pa Kungliga Djurgarden, Pi (Sweden), PLP 005
- Lover Man, Pickwick SPC 3009
- By Request, Sonic Arts Digital LS12
- Ecstasy, SABA (West Germany) SB 15115 ST
- In San Francisco, SABA (West Germany) SB 15073 ST
- Art & Liza, Svenska Media AB (Sweden), SMTE 5003
- Once Over Lightly/Manhattan Time, Collectables CD
- Van Damme Sound/Martini Time, Collectables CD
with Jo Stafford
- Once over Lightly, Columbia CL-968
- A Perfect Match, Columbia CS-8813
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