Born: October 20, 1969 Primary Instrument: Guitar
Last Updated: May 4, 2011O'Leary is a superb acoustic player, as the opening track demonstrates,Waiting rvw John Fordham
Both O'Leary and Caine are highly sophisticated performers drawing on both jazz and contemporary-classical materials.There are tunes that duck and dive like Morricone themes for thrillers,Frisell like drifters,even unexpectedly lyrical guitar-ballad ruminations. O'Leary is a gathering force Closure rvw John Fordham, The Guardian
Each note glows like a glowing and wheeling like a firefly in the night sky, O'Leary achieves a fine tension between the mellifluous and the abstract. As self luminous progresses its petals unfold recalling Anton Von Webern's miniatures evanescent and everywhere at the same time - The Wire.
The thicket of melodic patterns, the incremental and sometimes glacial development, theres something especially powerful about it. Self Luminous **** Chamber trio **** Levitation ***½ - Downbeat magazine
With O'Leary and Stanko chomping at the bit from the off this is a heady treat from start to finish. It's a display never short of excitement and at times simply breathtaking - Jazz Review I have already praised Mark O'Leary before for his great sense of music, and he proves it again on this record, This is absolutely excellent music. Freejazz-Stef review On the Shore ***** I can’t remember a time over the past year that I was affected by a guitar player as much as the playing of Irish string-whiz Mark O’Leary The season of O’Leary is long upon us and “On The Shore” will stand as the cornerstone that pushes his music into un- chartered territories Tom Sekowski Gaz-Eta O’Leary’s duets and give and take with Stanko, as on the opening to “Astrakhan”, that make this session a stand out. O’Leary’s guitar style can vary between graceful and raw. He is able to spin out intricate webs of sound through both staccato notes, as on the decidedly angular “Oblique”, and interesting chordal voicings. He can also get a bit heavy with some searing lead work that he displays on the title cut and closer “Phase”. While each of these players are capable of leaving the other two in the dust, those moments don’t last long and somehow each is able to match the other. Elliot Simon AAJ 2006
Chamber trio Leo records
Levitation Leo records
Closure Leo records
Awakening Leo records
Waiting Leo records
Radio Free Europa Leo records
On the Shore Cleanfeed
Skyshifter Creative sources
Signs FMR
Shamanic Voices FMR
Television Ayler
Flux FMR
Zemlya Leo records
Ellipses FMR O'Leary/Ganelin/Gotesman White night fest Kadima Fabrikraum Creative Sources 2008 St Fin Barre's Leo records 2008 League of Xtraordinary Gentlemen Live rekonstruKt Mark O'Leary Sunny Murray Ode to Albert Ayler Ayler Records Mark O'Leary Matthew Shipp Labyrinth FMR records Mark O'Leary Grønland Aucourant Records Mark O'Leary 4 Urban Landscapes Creative Sources Mark O'Leary Live In Helsinki redekonstruct
Disclaimer: All About Jazz is not responsible for the accuracy of the discographical data at the website(s) provided. If a link is no longer valid, please contact discography@allaboutjazz.com. Thank you.
























