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Marc Mommaas

Born: September 12, 1969    Primary Instrument: Sax, tenor

Marc Mommaas

Marc Mommaas, tenor saxophonist and composer was born in Tegelen, Netherlands on Sept. 12th, 1969. He grew up in Amsterdam and since 1997 made NYC his home. His father Henk Mommaas, was a well-known painter/artist in the Netherlands and developed his career in Amsterdam. His mother Carolien Collette is a pianist, opera singer and educator. His grandfather on his mother’s side was a professional multi instrumentalist playing flute, viola da gamba, recorder, organ, spinet and harpsichord and taught at the conservatory of Maastricht. His grandmother on his mothers side was an opera singer and his great grandfather an organ player....
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Awards:

William Borden Award, Manhattan School of Music.
….just one more fact in Mommaas’ resume that builds to the conclusion that he is one of the current generation’s leading musicians ~By Bill Donaldson (JazzImprov 2006)

Global Motion is always in stylistic motion, spanning bop, ECM-esque soundscapes and free-form chamber dreams.
 ~By Ed Enright (Downbeat 2004)

Ofcourse, improv versus composition isn't a battle to be won or lost. Sometimes the two thrive as equals. Witness tenor saxophonist 'Marc Mommaas' Global Motion (Sunnyside), a finley crafted and uplifting example of a progressive-but-not-precisely-avant-garde jazz aesthetic. Mommaas is a gifted tenor saxophonist, ... and a writer of intricate and pleasingly unpredictable tunes. On “3458” and “African FBI,” Mommaas seems to delight in subverting convention, especially in regard to time. Such metrically complex tunes are only as good as the band wraps its chops around them. Mommaas' crew ... does the material justice, interpretating its quirks with grace... The music has its own nearly classical beauty. ~By Chris Kelsey (JazzTimes 2004)

For the last two decades Sunnyside has showcased some of the best and brightest jazz musicians on the scene. This new recording is no exception. 
It heralds the sound of the 21st century. ~By Eugene Holley (SunnySideRecords 2004)

As the overall concept and execution of this album might spur notions of traversing rolling hills via winding country roads -- at an abnormally high speed, that is! Overall, Mommaas possesses a fluid attack, enhanced by a velvety tone and his bop-induced soloing escapades ~By Glenn Astarita (2003) All Music Guide

Another is “3458,” a memorable theme over shifting meters with some wonderful playing by Hess (a real find) followed by a remarkable sax solo where Mommaas begins as if awakened from a dream, becoming slowly more alert as his lines become sharper and more declamatory. ~By Joshua Weiner (2003) All About Jazz NYC

A fearless improviser on both tenor and soprano, Mommaas had the ability and sense of spontaneous composition to start from almost nothing and build solos that were alive with energy and commitment, fairly bristling with power ~By John Kelman (2005) All About Jazz, Ottawa Canada

“........If it sometimes seems that each passing month brings forth another interesting tenor saxophone voice, then assign February 2009 to Marc Mommaas. Although he has been in New York for 12 years and is a player with a distinctive, deft, edgy concept, he has remained under the radar. Even in a band where individual identities are secondary to overall ensemble purposes, it was impossible not to notice that every Mommaas solo was surprising, with ideas that seemed unrelated to Figarova’s structures until they tied back into them. In the second set the band played three pieces from September Suite: “Rage,” “Trying to Focus” and “When the Lights Go Down.” Mommaas’ encounter with “Rage” was profound. His solo was deceptively quiet, a reluctant rage, a contorted rage, rage as suffering and bafflement. Only a boldly creative tenor saxophonist would have come up with it.” ~By Thomas Conrad (2009) Jazztimes

“Marc has a strong, warm tone on tenor and the duo work together with an almost telepathic empathy. Marc appears to have all of the songs here, yet both musicians are an integral part of the duo. “Amissirac” is a sublime ballad that begins with stark piano as Marc's robust tenor builds to a grand display on slow-burning power, with a beautiful, bluesy solo from the piano. Marc plays solo sax on two tracks and sounds well. His rich, warm tone and robust execution are superbly recorded, he sounds mighty fine just by himself. Although much of this is laid back, I found this disc to consistently touching, quietly engaging and delicately inventive. “ ~BLG, Downtown Music Gallery (2007)

As Leader; 2010 Landmarc Sunnyside records 2005 Balance Sunnyside records 2003 Global Motion Sunnyside records 1999 Global Motion Trio Calibre records As co-leader 2009 Global Motion plus Stunt records As sideman 2010 Magnus Thuelund "magnify" 2009 Barbara Laronga "love never dies" 2008 Suede Wave "dangerous mood" 2007 Helle Helling "verden lige her" 2007 Doug Beavers "nine" 2006 Bill Gerhardt "thrive" 2006 Alon Nechushtan "growl" 2005 Bill Gerhardt "stained glass" 2005 Rez Abbasi "bazaar" 2004 Armen donelian "all or nothing at all" 2001 Fay Victor "darker then blue" 2001 Diana Perez "7 ave south" 2000 Bill Gerhardt "cotengant" 1998 Fay Victor "in my own room" 1998 Dirk Balthaus "the healing" 1995 Astrid Seriese "temptation" 1995 MSA Big Band "target practice" 1995 Astrid Seriese "trouble of the world"

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Primary Instrument:
Sax, tenor

Location:
LIC, NY

Willing to teach:
Intermediate to advanced students

Credentials/Background:
For private lessons or lessons online please visit: http://www.mommaas.com/Teaching.html Founder of: Hudson Jazzworks http://www.hudsonjazzworks.org New York Jazz Workshop http://www.newyorkjazzworkshop.com

Clinic/Workshop Information:
20+ private students in US and Overseas. 2009 Artistic director Hudson Jazz Works (ongoing) 2009 Masterclass Conservatory Madrid 2009 Annual ‘Hudson Jazz Workshop’ including David Liebman and Armen Donelian, NY 2009 Rhythmic Masterclass with Tony Moreno, New York Jazz Workshop, NY 2008 Annual ‘Hudson Jazz Workshop’ Duo Workshop including Armen Donelian, NY 2008 Master class / The Washington University of St. Louis, Missouri 2008 Artistic Director New York Jazz Workshop (NYJW), NY (ongoing) 2007 Artistic Director Westchester Jazz Workshop (WJW), NY 2007 Clinic / Rhythmic Development, JazzImprov Festival/Conference, NYC 2007 Master class / Music and Typography, Fashion Institute (FIT), NYC 2007 Master class / guest artist Conservatory of Amsterdam, NL 2007 Master class / guest artist Rhythmic Conservatory, Copenhagen, DK 2007 Master class / Composition, New York University (NYU), NYC 2007 Annual ‘Hudson Jazz Workshop’ Duo Workshop including Armen Donelian, NY 2007 Saxophone and Rhythmic Development Master class, Western Carolina University 2006 Saxophone and Rhythmic Development Master class, Arhus Conservatory, DK 2006 3 day Combo Master class, Rhythmic Conservatory of Copenhagen, DK 2006 Master class / Saxophone Class, Western Carolina University, NC 2006 Master class / Rhythmic development, Appalachian State University, NC 2006 Master class / guest artist, UNCA, North Carolina Rhythmic development class at NYU, NY 2005 Master class / guest artist William Patterson University, NJ 2005 Master classes Odense Conservatory, DK 2004 Master classes / guest artist, Conservatory of Amsterdam, NL 2004 Master class (odd/mixed meter), Manhattan School of Music (MSM), NYC 2004 Master class / guest artist, UNCA, North Carolina. 2004 Ensemble Class, Manhattan School of Music (MSM), NYC 2003 - 2005 Coordinator Jazz program for Landmark/Coalition High School in NYC 2002 - 2003 Taught and assisted in development of pioneer Jazz program for Landmark/Coalition High School in NYC 2003 Master class/guest artist, CSU Summer Arts, California 2003 Master class/guest artist, UNCA, North Carolina 1999 - 2004 Master class/guest artist Rhythmic Conservatory, Copenhagen, DK. (repeats yearly)

Endorsed by Bari Reeds : Bari star medium and hard. Endorsed by Ton Kooiman Woodwind Ergonomics : thumb rest.

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