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Marilyn Harris

Born: March 12    Primary Instrument: Piano

Marilyn Harris

Singer-pianist-songwriter Marilyn Harris boasts an enviable jazz pedigree. After studying composition with Hale Smith at UConn and film scoring with Ray Wright and Manny Albam at Eastman School of Music, Marilyn worked extensively with jazz arranger Gil Evans and studied piano with Richard Tee and Rodgers Grant. Her talents have graced not only her own recordings, but a wide variety of other artists' work including co- writing a gold record with Jim Brickman, doing arrangements for Bette Midler, Lola Falana and Donna McKechnie, and her songs have been covered by jazz vocalists Anne Marie Moss, Jackie Paris, Claire Martin, Bobbe Norris, Judi Silvano and Diane Hubka....
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”I loved every mile of ROUND TRIP.” - Ken Dryden, Chattanooga Times Free Press

“Marilyn Harris, one of the last of the true practitioners of hipness, has blessed us with another quality CD. Backed by the wonderful L.A. Jazz All-Stars Big Band this CD always rocks, swings and knocks it out of the park . . . This CD belongs in the library of anyone who loves great writing and singing talent.” - Peter La Barbera, Jazz Zine

“No question about it, ROUND TRIP is an entertaining and compelling recording that showcases a superb performance by one of the best jazz vocalists in the business today...A disc that will appeal to anyone who likes music.” - Edward Blanco, eJazzNews.com

“Vocalist Marilyn Harris' latest release features a healthy supply of good time swing and blues. Featuring some of Los Angeles' finest musicians, ROUND TRIP finds Harris in excellent form. Her cheerful voice is perfectly suited for large band ensemble work...mainstream vocals are taken on an excellent journey on Harris' ROUND TRIP. You should take the ride, too.” - George Harris, All About Jazz - L. A.

“Marilyn Harris knows how to write songs - clever songs, knowing songs, novel songs, heartfelt songs (ten of which appear here) - but some of you already know this from her previous discs. What you may NOT know is that Mark Wolfram, her onstage-offstage partner, writes big, colorful arrangements: he mines the jazz orchestra for the range of colors and textures that Harris' songs inhabit so well. Blend in the all-star big band you hear here, alloyed by the hand- picked guest soloists, and how can you lose?” - Neil Tesser, Co-host “Listen Here!”

“In addition to Marilyn Harris' non-forced, no nonsense, all grown up voice, this album shines due to some great, new, swinging tunes. These are songs the way songs used to be written, with clever, intelligent lyrics and actual strong melody lines that go right where they should . . . This is a very well conceived album of excellent tunes by a voice who, it should be said, “gets it.” - Jazz Society of Oregon

“There is a strain of jazz singer that focuses on jazz's urbane tendencies, alternating between a well- honed cynicism and raucous playfulness in much the same way that Irving Berlin and Hoagy Carmichael did. Singer Marilyn Harris runs in this fast crowd, often writing her own clever wordplay and sometimes the music as well. Here, joined by a studio big band and even guest singer Bob Dorough, Harris creates a skilled program where her wit is matched by tight arrangements that emphasize each punch line. Highlights include an ode to bebop entitled “Bebop High,” her cutting “They're Gonna Love Me” (which mocks jazz's tendency to embrace dead legends), and the altogether upbeat ”Round Trip.” While Harris easily won over the JazzWeek attendees with her solo performance, couching crisp clean voice in these big band arrangements adds an undeniable punch that should win over the rest of the radio panel.” - Tad Hendrickson, JazzWeek

“ROUND TRIP would be worth the price for the L.A. Jazz All- Stars alone. As a bonus, we get a terrific singer/songwriter, Marilyn Harris, who wrote or co-wrote ten of the album's dozen selections and uses her pleasing mid-range voice and effervescent personality to amply enliven every one of them . . .Harris writes clever lyrics that call to mind Dave Frishberg, Mose Allison, Jon Hendricks, Dave Lambert, Blossom Dearie, Giacomo Gates and Bob Dorough (with whom she duets on one of her compositions, ”Cool”) . . her voice is crystal clear, her intonation solid and her diction flawless . . . Dorough, by the way, nestles in so snugly on “Cool” that one could believe he had written it himself. There's one more engaging duet, with producer/arranger Mark Wolfram on “Way Out Here in the Country.” Elsewhere, Harris is on her own, and throws herself eagerly into every song . . .it's a great band, showcasing seasoned pros in every section, precise ensemble work, nice charts and brief but crackling solos by the likes of tenor Pete Christlieb, altos Dan Higgins and Don Shelton, trombonists Andy Martin and Bill Watrous, trumpeter Warren Luening, guitarist Jim Fox and bassist Chuck Berghofer. The songs are consistently clever and refreshing, from the opening “Round Trip” to “The Cards Keep Comin',” “I Don't Gamble,” “Bebop High,” “The Wisdom of Sam Kinison” and ”They're Gonna Love Me,” Marian McPartland/ Johnny Mercer's tender “Twilight World” and the others already noted . . . this is a splendid album by a wonderful singer and band, one that is easily recommended.” - Jack Bowers, All About Jazz.com

“I'm playing ROUND TRIP for a second time with no pause in between plays. It's REALLY good! The tunes are crisp and engaging, and the musicians and arrangements add a real level of class to the production.” - Steve Emerine, President - Tucson Jazz Society

“Your new CD (ROUND TRIP) is wonderful! I absolutely love it! On every level; performance, production, composing, arranging, choice of material....EVERYTHING! It's GREAT!” - John Nasshan, Jazz DJ at KUNV 91.5FM Las Vegas

“The Marilyn Harris experience continues its giddy, inexorable rise towards unchartered peaks. This road show is warm, funny, riotous and crispier than the perfect French Fry. In a perfect world, everybody would know her songs by heart. This world's lucky to have her.” - Gene Seymour, NY Newsday

“The amazing thing about FUTURE STREET is not only the remarkable writing and singing abilities of Marilyn Harris. It goes beyond fine arrangements and solos. The lyrics to these songs are hip and they swing like mad. This music goes beyond the boundaries of music alone. There are stories here to make you smile, make you feel good and to even shock you. I hope this is just the start of more to come from this gifted artist interpreting it all from humor to pathos through the magic of her song.” - Peter La Barbera, Jazz Zine

“Marilyn Harris, a very talented lyricist-composer, has a highly appealing voice, is a fine pianist and shows both sensitivity and great wit in her lyrics. FUTURE STREET has 11 of her best songs including several (including 'Dorothy Parker,' 'Future Street,' 'Insomniac' and the very funny 'My Dissipation') that should become future standards.” - Scott Yanow, Author of “Jazz On Record” 1917-76

“The songs!!! They're smart, funny and lyrical with great heart. All the things I wish I could be when I grow up! Keep on doing what you're doing! Sounds to me as if you're doing it right.” - Gene Seymour, NY Newsday

“FUTURE STREET is superb! The singing and playing, the arrangements and the band, all were just great! And from you, I would have expected nothing less. Congratulations to everyone who had a part in making this the terrific musical document it is!” - Marvin Stamm, Jazz Trumpet Legend

“A significant songwriter and performer whose career has often stretched far beyond jazz, Marilyn Harris is a witty writer and an enjoyable singer-pianist. ROUND TRIP (Wrightwood 1569), which matches her with some of the top musicians in Los Angeles, is her most jazz-oriented recording so far.” - Scott Yanow, from his book THE JAZZ SINGERS: The Ultimate Guide

As a Leader

Round Trip
Wrightwood Records
2006
Tracks: Round Trip;The Cards Keep Comin'; I Don't Gamble; Bebop High; If He Walked Into My Life; Way Out Here In The Country (aka New Kind of Country); That Afternoon In Harlem; Cool; Letting Go; The Wisdom of Sam Kinison; Twilight World; They're Gonna Love Me.
Personnel: Marilyn Harris: Piano & Vocals, Bill Watrous: Trombone, Bob Dorough: Vocals, Andy Martin: Trombone, Bill Liston: Tenor Sax, John Yoakum: Tenor Sax/Piccolo/Alto Flute, Don Shelton: Alto Sax/Flute/Clarinet, Bruce Otto: Trombone, Ralph Humphrey: Drums, Wayne Bergeron:Trumpet/ Flugelhorn, Charlie Loper: Trombone, Larry Lunette: Trumpet/Flugelhorn, Greg Huckins: Bari Sax/Bass Clarinet, Warren Luening: Trumpet/Flugelhorn, Peter Erskin: Drums, Charlie Morillas: Bass Trombone, Pete Christlieb: Tenor Sax/Alto Flute, Chuck Berghofer: Ac. Bass, Jim Fox: Jazz Guitar, Rick Baptist: Trumpet/Flugelhorn, Dan Higgins:Alto Sax/Flute, Mark Wolfram: Arranger/Producer


Future Street
Wrightwood Records
Year Released: 2004
Tracks: Dorothy Parker; Ain't Got Nothin' On You; Future Street; Sunglasses In The Rain; My Dissipation; In A Lonely Place; Express; Insomniac; Lost In The Stars; Don't Wanna Know; The Good Guys; Love Means Never Having To Say Goodbye.
Personnel: Marilyn Harris: Piano, Vocals & Arrangements, Dave Carpenter: Acoustic Bass, Bob Leatherbarrow: Drums & Vibes, Pete Christlieb: Tenor Sax, Wayne Bergeron: Flugelhorn, Larry Corbett: 'Cello, Mario De Leon: Viola, Dan Higgins: Tenor Sax & Flute, Piotr Jandula: Violin, Bill Liston: Bari Sax, Warren Luening: Flugelhorn, Andy Martin: Trombone, Bruce Otto: Trombone, Michelle Richards: Violin, Dave Stone: String Bass, Mark Winkler: Vocals, Mark Wolfram: Arrangements & Vocals

Between The Lines
Wrightwood Records
1993
Tracks: Only You; Extra Baggage; Forever; Mahina; Keeping An Open Heart; What I See In You; Perfected; Get It Up; Coney Island; Mine, Mine, Mine; Mr. Wrong; When I See Your Face; Between The Lines; Don't You Know Me?; I Say "I Love You".
Personnel: Marilyn Harris: Keyboards & Vocals, Jeff Layton: Guitar, Cliff Morris: Guitar, Russell George: Elec. Bass, Richie Crooks: Drums & Percussion, Mark Walker: Percussion, Dave Young: Alto Sax/ Flute/Oboe, Mark Wolfram: Arrangements/Production/E.V.I./Vocals, Georg Wadenius: Guitar, Steve Rodby: Acoustic Bass, Mike Smith: Alto Sax, Steve Eisen: Tenor Sax, Ron Kolber: Bari Sax, Bobby Lewis: Trumpet, Orbert Davis: Trumpet, Loren Binford: Tombone, Mike Young: Trombone, Billy Panda: Guitars, Ron Friedman: Trumpet, Bonnie Herman: Vocals, Cheryl Wilson: Vocals, Bob Bowker: Vocals, Gary Fry: Vocals, Arnie Roth: Concertmaster, Steve Grissette: Vocals, Mike Harvey: Vocals, Jeff Morrow: Vocals.

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Primary Instrument:
Piano

Location:
Vail, AZ

Willing to teach:
Beginners

Clinic/Workshop Information:
Songwriting

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