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Bill Carbone
In concert, the nyabingi heartbeat pervades; no matter how dense or sparse the melodies and soundscapes in the upper textures become the rhythm section pulses on.
The term “Buru” is taken from a Jamaican music and masquerade tradition. Certain elements of Buru music provided the foundational rhythms for Nyabingi, the traditional drumming of Rastafari. In Kingston during the 1950s and 60s many Jamaican jazz musicians�"the Skatalites’ Tommy McCook, Don Drummond, and Lloyd Knibb, to name but a few�"mingled with Rastafarian drummers at open jam sessions. When these musicians began recording their own music in Kingston’s studios they incorporated Nyabingi rhythms (the older musicians still call them “Buru” rhythms) in both subtle and overt manners. Beginning in the early 1970s, actual Nyabingi drummers were featured heavily on reggae recordings and toured with reggae bands. Can’t quite imagine what Nyabingi sounds like? Think “Time Will Tell” and “Rastaman Chant” by Bob Marley or Gyptian singing “Serious Times.”
We’re not Rastas. However, we love and respect this music. We don’t try and play it just like they do in Kingston; in fact, we don’t even sing the words. The Nyabingi rhythms are a foundation for what everyone in Buru Style does, which is to be themselves and make some great pseudo-original music doing it.
Tags
Primary Instrument
Drums
Willing to teach
Intermediate to advanced