Born: January 26, 1956 Primary Instrument: Piano
Plenty has been written about European musicians approaching the American jazz tradition; it's far rarer to hear about American musicians bringing their heritage to distinctly European projects. Capitalizing on the critical acclaim for its debut Crazy Girl, pianist/composer/arranger Andrzej Winnicki and saxophonist Krzysztof Medyna - the driving force behind Komeda Project - bring trumpeter Russ Johnson back for their new CD Requiem. What makes Requiem different, however, and a significant evolution over Crazy Girl, is the enlistment of über-bassist Scott Colley and the equally ubiquitous drummer Nasheet Waits.
Like Crazy Girl, Requiem's primary focus is to bring the music of the late, legendary Polish composer/pianist Krzysztof Komeda (Rosemary’s Baby; Knife in the Water) into the new millennium with fresh arrangements, but this time the approach is far more open-ended. Sacrificing the comfort zone of a group familiar with the music, Winnicki and Medyna opted, instead, for the first encounter sound of surprise that comes from working with master musicians like Colley and Waits.
Pianist Krzysztof Komeda was one of Poland's most famous modern composers and bandleaders during a brief life that ended in 1969, just shy of his 38th birthday. 2009 marks the 40th anniversary of his death. A self-taught musician, Komeda was best known for his scores to Roman Polanski films, from the director's breakthrough Knife in the Water (1962), to his Hollywood hits The Fearless Vampire Killers (1967) and Rosemary's Baby (1968). He also led a renowned jazz quintet, releasing the internationally acclaimed Astigmatic in 1966. Trumpeter Tomasz Stanko - an international jazz star for his series of groundbreaking ECM albums including Litania (1997), an album of all-Komeda music - was the pianist's constant band mate from 1963 to 1968.
Born and raised in Poland, Andrzej Winnicki and Krzysztof Medyna have been playing together for over thirty years. They bring both a European classicism and melancholy Slavic melodism to music that's heavily refracted through the prism of the American tradition. Before moving to the United States in the late 1980s, they spent years touring Europe with the award-winning group Breakwater. Medyna was also a member of the group In/Formation, touring extensively on double bills with ECM recording artist/Polish trumpet legend Tomasz Stanko. After releasing In the Bush in 2001, with a reformed Electric Breakwater that also featured bassist Mark Egan and drummer Rodney Holmes, Winnicki and Medyna decided to unplug, forming the all-acoustic Komeda Project in 2004.
Russ Johnson has performed with a who's who of jazz heavyweights, including Kenny Wheeler, Bill Frisell, David Liebman and Joe Lovano, in addition to leading his own groups and touring with Lee Konitz's latest nonet. Lyrical and economical with open ears and mind, Medyna describes him as a poet of the trumpet. He is so sensitive, he can paint, and he can create a picture, making it easy for us to build something from nothing.
Scott Colley has become one of modern jazz's most in-demand bassists, playing with everyone from Pat Metheny, Jim Hall and Joe Lovano to Herbie Hancock, Kenny Werner and Brian Blade. Ever-inventive, with an innate ability to always find the right note, the perfect phrase for any context, this Down Beat Rising Star winner from 2002-2004 has been an invaluable partner on countless sessions where finding the essence of the music, with little-to-no preparation time, is a true testament to expansive talent.
Nasheet Waits has, with a résumé that includes work with Fred Hersch, Geri Allen, Steve Coleman, Stefon Harris, Andrew Hill and The Mingus Big Band, emerged as one of his generation's most important drummers. Like Colley, Waits' deep roots in the tradition are what give Requiem its edge - a record of unmistakably European jazz played with the swing and unmistakable conviction of an American rhythm section. Winnicki adds, We came into this project knowing, from the get-go, that if we were going to do another record, we wanted to make it with great players at the level of Russ, Scott and Nasheet; and to have a real American rhythm section that could come in, even without any knowledge of Komeda or Stanko, and play their hearts out.
And play their hearts out they do. On Requiem, everyone plays their hearts out, on a program of boldly thematic and challenging charts that still possess the underlying freedom required to encourage unpredictability, even within the most scripted of arrangements. With Requiem, Komeda Project ups the ante on the promise of Crazy Girl, paying reverent homage to one of the 20th Century's great composers while bringing modernistic edge, reckless abandon, and unmistakable swing to this profoundly moving set of starkly beautiful music.
The Komeda Project at Cornelia Street was electrifying, the core, the exciting, the very alive essence of Komeda himself jumped from the stage. Winnicki is a better pianist than Komeda ever was. His comping, moreover, was perfect, his voicings and timing lifting the music... hearing this music live was a fantastic experience ... --Budd Kopman/allaboutjazz.com
Among music fans, jazz people typically possess an exaggerated need for new stimuli. To hear something that has not been heard before is their endless quest. They are hereby directed to Crazy Girl by the Komeda Project. Not that this music is radical. But its basis in the compositions of Krzysztof Komeda, and its three soloists - gifted but little-known American outcat and two even less known Polish heavyweights - make Crazy Girl notably fresh. Pianist Andrzej Winnicki plays solos made of sudden shifts that all cohere, and is a blocky, confrontational accompanist. Performance: **** --Thomas Conrad/Stereophile
Winnicki is also a stellar soloist, with amazing technique and original ideas who understands Komeda's kinship with classical and ethnic Polish musics. His two original tunes, 'Elutka' and 'Anubis' meld seamlessly with the Komeda pieces, yet retain their own character. --Dave Wayne/jazzreview.com
Even amongst the many engaging, skillfully-executed projects that cross our desk, it's rare to discover something as unexpectedly compelling as this. Andrzej's arrangements of Komeda's works are sophisticated and engaging, bringing to mind the warm vibe of such classic recordings as 'Kind of Blue' and 'Blues and the Abstract Truth' ... and the entire group's musicianship remains exceptional throughout. --Michael Gallant/Keyboard
With the magnificent Requiem, pianist Andrzej Winnicki and saxophonist Krzysztof Medyna solidify and enhance their reputations as the prime promoters of the essential music of the Polish pianist and composer Krzysztof Komeda…The band’s playing, individually and as a group is superb … essential. --Budd Kopman/allaboutjazz.com
Pianist Andrzej Winnicki is the real star here, as are his driving comping, left-hand basslines, and harmonic sense, which color the compositions in shades of fiery red, dark blue, and deep purple. You hear some outstanding music of Komeda's, but there are several standout originals written by Winnicki. --Michael G. Nastos, All Music Guide
A major aspect of Komeda’s genius was his touchingly delicate phrasing and Winnicki does an admirable job of highlighting this on reinterpretations of “Svantetic” from Astigmatic and CD closer “Sleep Safe and Warm” from Rosemary’s Baby. --Elliott Simon/AllAboutJazz-New York
These pieces were tailor-made for jazz interpretation outside the cinema. The title cut takes full advantage of pianist Andrzej Winnicki’s assertive approach... --C. Michael Bailey/allaboutjazz.com
Tracks: Night-time, Daytime Requiem Part1; Night-time, Daytime Requiem Part2; Night-time, Daytime Requiem Part3; Ballad for Bernt; Dirge for Europe; Astigmatic; Elutka; Prayer and Question; Litania; Anubis.
Personnel: Russ Johnson: trumpet, flugelhorn; Krzysztof Medyna: saxophones; Andrzej Winnicki: piano; Scott Colley: bass; Nasheet Waits: drums.
Tracks: Crazy Girl; Kattorna; Ballada; Is that your final Answer?; Svantetic Prelude; Svantetic; Tail Peace; Stop Time; Sleep Safe and Warm.
Personnel: Russ Johnson: trumpet, flugelhorn; Krzysztof Medyna: saxophones; Andrzej Winnicki: piano; Michael Bates: bass; Dave Anthony: drums.
In the Bush
Tracks: Happy Song; Breakwater; Blind Warriors; Yellow Weather; Looking Ahead; Elutka; Close to Home; In the Bush; Mad Maid; And We Call It Jazz.
Personnel: Krzysztof Medyna: saxophones; Andrzej Winnicki: keyboards; Mark Egan: el. bass; Holden Nagelberg: el. bass; Rodney Holmes: drums; Dave Anthony: drums, percussion.
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