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Mário Franco
Mário Franco
Born in 1965, he started music lessons at the age of 4 in Centro de
Estudos Gregorianos.
He studied music theory with Maria José Godinho and after moved to
Academia de Amadores de Música where he continued his studies in
music theory with Cristina Brito da Cruz, started to study double bass
and chamber music with Fernando Flores and composition with Pedro
Rocha.
In 1986-87 attended double-bass courses given by Ludwig Streicher in
Estoril and in 1988 won 1st prize in the Prémio Jovens Músicos (Young
Musicians Competition); later became a member of Orquestra Sinfónica
Juvenil where he worked on classical repertory with conductor
Christopher Bochmann.
Also worked with conductors Silva Pereira, Miguel Graça Moura, Roberto
Perez, Michel Swierczewski and Cesário Costa.
He subsequently became interested in Jazz. After having bass guitar
lessons with António Ferro he began taking Double bass lessons at Hot
Club Jazz School with David Gausden and playing in jam sessions; also
took part in workshops with Rufus Reid, Niels Henning, Orsted
Pederson, Eberhard Weber, Dave Holland, Gary Burton, Roland Hanna,
David Liebman among others…
In 1990 presented his first project based on original compositions and
was awarded 1st prize for his group and 2nd prize for composition in
the competition “A Juventude e a Música“ (Young People and Music).
His eclectic musical education has enabled him, since the 90’s, to work
in many different projects, within diverse musical contexts, with artists
such as:
Pedro Caldeira Cabral, Miguel Amaral, Ricardo Rocha, António Chaínho,
José Peixoto, Early and Contemporary Music Consort “Sete Lágrimas”,
Vera Morais and Francisco Sassetti, Miguel Azguime, Carminho, Maro,
Camané, Sérgio Godinho, Vitorino, Uxia, Lura, José Manuel Barreto,
Sofia Vitória, Maria Ana Bobone, Filipa Pais, Bernardo Sassetti, Mário
Laginha, Luis Figueiredo, Luis Barrigas, João Paulo Esteves da Silva,
Dan Hewson, António Pinho Vargas, Jarmo Savolainen, Júlio Resende,
Carlo Morena, Carlos Martins, Tomás Pimentel, Maria João, Tommy
Halferty, John Wadham, Luigi Waites, Sérgio Pelágio, André Sousa
Machado, André Fernandes, António Pinto, Desidério Lázaro, Andy
Sheppard, Daniel Erdmann, Zlatko Kaućić, Samuel Rohrer, Ralph Peterson Jr.,
Markku Ounaskari, Myra Melford, Jon Irabagon, Peter Epstein, David Binney,
Paolo Fresu, Ralph Towner, Joel Harrison, Graham Haynes…
Has performed outside Portugal in some of the most important music
festivals in China, Japan, Spain, France, Luxembourg, Belgium, Italy,
Czech Republic, Greece, Norway, Russia, Brazil…
In 2006 Tone of a Pitch Records edited his first CD as a leader, “This
Life”, with Jesse Chandler (piano, hammond organ and melodica),
André Fernandes (guitar), João Lencastre (drums), João
Gomes (rhodes, sinthetizer, laptop) and includes NY based David Binney
(alto saxophone). This recording was well received by the Portuguese
public and critics, and was considered by the American magazine All
About Jazz, to be the second best CDs of 2006.
“Our Door” is Mário Franco’s new album for TOAP Records as a leader
realized in 2013 and includes Sérgio Pelágio (guitar) and André Sousa
Machado (drums).
In 2017 "Rush" is his new album as a leader for Nischo Records, with
Sérgio Pelágio (guitar), Óscar Graça (piano and electronics), Luís
Figueiredo (rhodes, hammond organ, philicorda, other keyboards) and
Alexandre Frazão (drums, percussion).
As a co-leader he recorded in 2013 "Cine Qua Non" for TOAP Records with
Paula Sousa (piano), Afonso Pais (guitar) and João Paulo Esteves da Silva
(accordion).
"Brightbird" in 2017 for Arjuna Records with João Paulo Esteves da Silva
(piano) and Samuel Rohrer (drums).
In 2019 Mario Franco together with Rita Maria (voice) and Luís Figueiredo
(piano) decided to form "Roda Music - Independent Music Label" and in the
same year launched their first album "Círculo" which was also the first album
released with this label.
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Mário Franco: Rush
by Chris Mosey
Portuguese bassist, composer and dancer Mario Franco, describes Rush as a rock-inspired jazz album." It came, he says, from an inner need of electric sounds." Franco, born 1965, started out playing classical music before switching to jazz. He is a dancer with the National Ballet Company of Portugal. His latest album is about how humanity wastes time while kidding itself that it uses it. We are forever doing and forget just being," he says, ...
read moreMário Franco Trio: Our Door
by Gabriel Medina Arenas
Our Door, the debut album from the Mário Franco Trio, is lush with nostalgia and camaraderie, but also creates a vibrant breath of fresh air, offering hope for the present and future states of Portuguese jazz. These gifted musicians met at the end of the 80's in Lisbon's Hot Clube de Portugal, one of the oldest jazz clubs in Europe. As emerging players, they learned the unique syncopated genre there, since it is also a music school, where ...
read moreTake Five With Mário Franco
by Mario Franco
Meet Mario Franco: Mário Franco was born in 1965 and started music lessons when he was four years old in Centro Estudos Gregorianos. Franco studied music theory with Maria José Godinho then with Cristina Brito da Cruz in the Academia de Amadores De Música. During his time at Academia Amadores De Música, he initated double bass and chamber music with Fernando Flores and composition with Pedro Rocha. Franco attended double bass courses with Ludwig Strecher in Estoril ...
read moreMario Franco: This Life
by Phil DiPietro
Sometimes a disc comes from out of left field that's so good, it makes you drop not only everything you're listening to, but a few other things you shouldn't. Wherever these records come from, you want to go there--and they just take you. Such is the case with this release from Mário Franco, a forty-something bassist/leader from Portugal. It's uncanny that last year, another unheard-of bassist's date from the Portuguese Tone of a Pitch imprint accomplished the ...
read moreAbout is new CD "Rush" “(…) the bass player Mário Franco is finishing the year with a new work in his own name that stands out from the national record panorama, also because this album is so different from the artist’s anterior activity in acoustic jazz and because it doesn´t have any references to his dedication to the baroque music repertoire. „Rush“ explores a different dimension, one that derived from his former collaboration with Sérgio Pelágio (Our Door, 2013), with a style influenced by rock and other urban music. What makes this album so special is the fact that is it not passively sticking to a stylistic corset: it is neither simply jazz-rock or rock-jazz, nor an actualization called progressive rock or post-rock that finally discovered the love for jazz