Primary Instrument: Piano
Last Updated: April 5, 2012--Philip Clark, The Wire
Let's agree that pianist Eri Yamamoto's days of being described as a talent deserving wider recognition
are now over. With Duologue, she now takes her rightful place as a headliner and leader.
Classically
trained in Japan, she has the touch of Matthew Shipp, her early jazz mentor. Her jazz signature is
marked by the economy of Hank Jones and the percussive attack of Tommy Flanagan.
--Mark Corroto, AllAboutJazz.com
Her ultra-melodic style is well executed and realized on this very enjoyable CD that has universal
appeal, crossing contemporary, progressive, and modern creative genres. This is an often wondrous,
highly listenable, and tasteful musical offering that is easily recommended for those who come across
it.
--Michael G. Nastos, All Music Guide
It's clear from note one here that Eri Yamamoto is staking out her own pianistic territory and it's a
privilege to be able to monitor her progress on her artistic journey. Her take on free and near free
territories is entirely her own, but what pervades this whole program is a deeply reflective, quasi-
spiritual strain of lyricism, and the pianist's choice of duo partners has been judicious in and crucial to
the realization of this.
--Nic Jones, AllAboutJazz.com
Duologue is characterized by lovely songcraft and guileless performances and is a
perfect
showcase for Yamamotos dense, impressionistic cascades and dazzling romantic swoon.
--Jeff Stockton, AllAboutJazz-New York
It almost sounds like she had no jazz training before she came here
(New York) four years ago. How is that possible? Wow. I dont know
how anyone could get to this level in such a short period of time, but my hats off to her. It certainly
took me longer than that. This is her
tune, so that means that she can write, too. This is just the beginning,
and already shes found her own voice.
--Herbie Hancock
Yamamotos maturity is instantly evident on the title cut/opener of
Up & Coming, her self-produced debutThe five originals included here
demonstrate an extraordinarily rich compositional sensibility -- to say nothing of a delicate
touch.
--Time Out New York
As the denizens of Arthurs Tavern in Greenwich Village undoubtedly know, pianist Eri Yamamoto is
one of jazzs most dynamic new talents.
Her compositional style augments her deft, inventive playing.
-- All About Jazz-New York
Her pulsating piano, with its insistent rhythms, soon won over her audience
as she launched into a couple of her own compositions.
--Gloucestershire BBC Radio
Eri has become a fixture in the jazz world She has collaborated with some of the finest musicians in
the field and has recorded several of her own solo
jazz recordings and toured extensively with her own groups. She fully
understands the traditions of jazz and is adept at playing her own fine
compositions as well as bringing her own interpretations to the jazz standards.
--Ron McClure
Her style is very fresh and very original, and her mysterious, simple melody is
Indicative of how talented she is. Besides her originals she plays standards
Very well and she already has her own personal expression.
--Swing Journal, Japan
"UP & COMING" (Jane Street Records 2001)
Piano/ Eri Yamamoto
Bass/ John Graham Davis
Drums/ Ikuo Takeuchi
"three Feel" (Jane Street Records 2002)
Piano/ Eri Yamamoto
Bass/ Alan Hampton
Drums/ Ikuo Takeuchi
"Colors" (Jane Street Records 2004)
Piano/ Eri Yamamoto
Bass/ Ben Street
Drums/ Ikuo Takeuchi
"Cobalt Blue" (Thirsty Ear Recordings 2006)
Piano/ Eri Yamamoto
Bass/ David Ambrosio
Drums/ Ikuo Takeuchi
As a sideplayer:
"Luc's Lantern" (Thirsty Ear Recordings 2005)
Piano/ Eri Yamamoto
Bass/ William Parker
Drums/ Michael T.A. Thompson
"Word Riff" (Jazz Jaunts CD 2006)
Words/ Golda Solomon
Alto Sax/ Saco Yasuma
Piano/ Eri Yamamoto
Bass/ Christopher Dean Sullivan
Drums/ Michael T.A. Thompson
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