Primary Instrument: Band/ensemble/orchestra
Last Updated: November 18, 2009--Michael Ricci, AllAboutJazz.com
...People I Like is serious fun...Bennink’s approval is audible in his
exuberant playing. He’s in
buoyant form throughout, in his element with a group who are accomplished,
imaginative and comitted
to enjoyment. Recommended without reservation as an antidote to grey and
rainy days.
--Julian Cowley, The Wire
The music they make together is nothing short of glorious. The program of
group originals is
understandably well tailored to the trio's distinctive group conception,
something they’ve had the
chance to hone over a period of time, and Bennink brings his characteristic
work to bear in a way that’s
nothing short of a celebration of life...music that is a working definition of
just how uplifting human
creativity can be. It’s what those end-of-year polls were invented for.
--Nic Jones, AllAboutJazz.com
...an accomplished set from an ensemble of four individuals who’ve mastered
the art of simultaneously
playing both against and with one another.
--Robert Shore, Jazzwise
Bennink has a signature style that is very unsubtle yet delicate. With all of the
drummer’s theatrics, it is
easy to miss the outstanding musicianship of the trio. Besides the original
music provided, the very
quick-wit response they have to the forcefulness of Bennink is impressive. By
the time they settle into
Nu Noon At Yoshi's, the ending piece here, they have exhausted all
possibilities.
--Mark Corroto, AllAboutJazz.com
It isn’t everyday, and certainly is unexpected, when a trio of young, up-and-
coming musicians still
experimenting and searching for a defined sound collaborate with one of the
most proven, established
masters of his instrument; but People I Like is exactly that,
combining the forces of a fresh
sax/guitar/piano trio from New England with Dutch drummer Han Bennink,
one of the vanguard figures
in the birth of free jazz in Europe. The music presented on People I
Like is profound because it
takes an out approach to an earlier style of jazz, as opposed to pushing
modern creative music
further and further in the same direction.
--Mike Szajewski, WNUR-FM (Evanston, IL)
With this new release, they take a giant step forward by linking up with the
anarchic, at times over
powering but very swinging, Mr. Bennink...this group’s conception has
become so finely tuned that they
can easily accommodate a player as strong as Bennink. And these pieces are
open enough to give
Bennink free reign to be himself...it’s become one of my favorite releases of
the year.
--Robert Iannapollo, Cadence
Perpetually in motion with ruffs, taps, flams, paradiddles or bounces, the
veteran drummer’s precise
and swinging pulse enlivens the nine band member-penned originals. Not
adverse to good-timey
melodies, driven by Bennink’s sand dancer-like brush strokes and unison
guitar-saxophone licks, the
band is made up of jazzmen as knowledgeable as Bennink.
--Ken Waxman, Whole Note








