Poogie Bell

Primary Instrument: Drums

Poogie Bell

There’s much more to Poogie Bell than meets the eye. His youthful expression and boisterous personality can fill a room with warmth in a matter of seconds. What you may not realize is that he is an accomplished musician whose drumming can be heard on some of the finest jazz, R&B and hip-hop albums the world has to offer.

Music most certainly flows in Poogie Bell’s veins. His father was a jazz musician and professor of music and Poogie started playing music when he was just 10 months old. At the age of two and half he made his concert debut playing along side his father at Pittsburgh’s Carnegie Hall. He made his first television appearance on the Mike Douglas Show at the tender age of five....
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Grammy nominated
”Get On the Kit, Poogie Bell Band (Yuji Sound)�”Meaty beaty big and bouncy�”a quantum leap forward from last year's debut by Marcus Miller's Pittsburgh-based drummer. Fundamentally horn-driven jazz, this also brings in everything from scratching to ancient funky worm synths while Bell keeps a big foot in everyone's ass. Strong writing makes this more than a groove record and at peak power (”Creepin',” “Knickerbocker Bling”) it will make your hair stand on end.” -(rock&rap confidential newsletter)

“The sound of Poogie Bell's drums is what you hear on many of the world's finest jazz, neo-soul, R&B and hip-hop records. Performer, record producer, composer, and arranger, you've heard his work with artists including Chaka Khan, Marcus Miller, John Scofield, Busta Rhymes, Joe Sample, Roberta Flack, Erykah Badu, David Bowie”

Marcus Miller drummer Poogie Bell and his horn-heavy Pittsburgh band recall the raw, jammy, edgy first meeting of rock, funk, and jazz (think early Billy Cobham and Brecker Brothers convening at Bonnaroo). Miller contributes “Creepin’” and lays it down dirty on “Breezeword” and “Adolescence,” while Kevin Barefoot stanks up the rest, including his own “Pay Attention!”
-Chris Jisi, Bass (April, 2007)

“It sure sounds good on “Thinking Outside the Box,” the band's debut. The quartet takes a phat, aggressive, groove-heavy approach on the stomping ”MPD,” while turntable scratching and Bell's slinky drum work infuses “Boogie Hustlers” with an infectious, exciting contemporary energy.” -Dave Richards, (January 7, 2005)

“Poogie more than made up for Omar's loss with a very solid performance all around. He can be a bit animated on stage but in a very good way as the music always reflects the personality of the musician… Poogie Bell is one of those needles in the haystack.” -Billy Cobham,

“It's usually not the kind of music I listen to, but I immediately loved it. It makes me feel relaxed, but at the same time it makes me want to dance — if I could. I've been anxious to see them perform live ever since.” - Dan Rosenkrantz

Anyone who appreciates a good concert would love the Poogie Bell Band, ”They blew me away the first time I saw them,” he said. “My favorite thing about the band is the rhythm section. They also have one of the most talented bass players I've ever seen. Anyone who likes music would appreciate the pure musicianship of the band.” - Bryan Hoover

“Chicks really love the Poogie Bell Band…bringing a fresh, funky eclectic mix of jazz and soul” -Jessica Horton, Collegian Online (October 19, 2005) 05darts-01.asp

“This not-too-poppy, not-too-esoteric side project for the regular drummer of Marcus Miller's band reminds me of how melodic fusion used to sound before it got too smooth in the 1990s.” �”Nick Nowlin, Pittsburgh Post- Gazette (December 28, 2006)

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