Born: May 16, 1967 Primary Instrument: Piano
‘Making Memories’ is about the importance of creating good memories in life. They don't just happen, but we have to actively do something to ‘make’ them, since they will stay with us for the rest of our lives, continuing to shape, change, and enrich us,” says Vana about his new CD release ‘Making Memories’ on Enja Records.
German-born, Boston-schooled, New York-based pianist Vana Gierig uses his music as a language – one of eight languages he masters - to communicate these kind of messages. Called a “piano phenom” by Keyboard Magazine, Vana creates his unique sound as much thru his writing, as thru his style of playing and improvisation. At the core of his projects is always his piano trio, originating from one of those early ‘memories’ he ‘made’ when, at age 12, his parents took him to hear the Oscar Peterson Trio, which started a recurring childhood dream in which he himself was the one playing the piano on that stage.
Expanding from that core, his trio has often grown to include a variety of instrument combinations, such as Brazilian percussion, violin, cello, saxophone, and, as of late, the clarinet of Grammy Award winner Paquito D'Rivera, who is picky about the projects he chooses. “Vana and I have played together in the most diverse places all over the world, and his music always offers something unexpected and truly beautiful. That's why I am here,” says Paquito at the recording studio, as Vana and his group are documenting some of that collaboration on “Making Memories”, his 4th CD as a leader, and his debut on Enja.
Vana Gierig, known to most simply as Vana, got his early music education in Germany. As a teenager he arrived in the United States, and went to Boston to focus on his jazz performance and composition studies. After Quincy Jones handed Vana his Magna Cum Laude Bachelor’s Degree from Berklee College of Music, the New England Conservatory awarded him a scholarship to pursue a Masters Degree in Jazz Composition. Soon after that he moved to New York honing his craft as sideman and/or musical director to various, musically very diverse national artists, such as Rachelle Ferrell, Najee, Lena Horne, Special EFX, Regina Carter, and many others.
In 1998, Marcus Miller called Vana for a tour at the same time as Regina Carter was asking him to stay on as her pianist to start a new project on Verve/Universal. Vana chose Carter’s project, as it was offering exactly the kind of acoustic project, Vana had been looking for at the time. It was at that time that Vana started making a mark for himself, focusing his sound as a composer and performer. In 1999, he released his first CD entitled “Small Regrets” (Avenue C Records), of which 4 songs ended up in the independent film “Sins of Fate”, and one on the Emmy Award winning PBS show “City Arts.”
Vana’s follow-up CD “A New Day” (Twinz Records, 2003, re-released by Challenge Records in 2008) got even more attention, and charted for 9 weeks in the top of the Jazz Radio Charts. His collaboration with Carter also peaked at that time. In 2002 he appeared on the PBS program “An Evening with the Boston Pops,” and a year later, Vana was executive producer, artistic musical director, composer and pianist for Carter’s new album “Paganini: After a Dream” (Verve/Universal), being the co-creator, negotiator and realizor of the historic vision for Carter to become the first non-classical violinist allowed to perform on Paganini's violin, the priceless national treasure of Italy. The resulting recording went on to become the only instrumental album in years to reach Number 1 on the Billboard charts. The recording, as well as the historic, sold-out concerts with the priceless violin at New York’s Lincoln Center and Genoa’s Carlo Felice Theatre in Italy, were enthusiastically covered by CBS' 60 Minutes II (Charlie Rose), NPR's All Things Considered, the New York Times, Wall Street Journal, Oprah Winfry's O Magazine, Downbeat, JazzTimes, and countless other media.
By 2004, Vana’s composition “Healing In Foreign Lands,” which Downbeat Magazine called divine and a luminous testimony to Vana's sizable talent, had become one of his most popular compositions, and he is awarded the SESAC Performance Activity Award. It also triggered HBO’s “Sex and the City” to solicit Vana to compose and perform a special piece for the season finale with Sarah Jessica Parker & Mikhail Baryshnikov.
In 2005, legendary bassist Eddie Gomez presented Vana as an ‘outstanding next generation pianist’ in a 3-day special presentation at the Iridium Jazz Club in Manhattan. “Vana is a highly polished technical whiz, whose vocabulary is brimming with complex lines, flourishes, runs that traverse the range of the piano, and contemporary harmonic approaches,” Eric Nemeyer wrote in Jazz Improv Magazine after the performance.
Vana’s unique musical language as a composer-performer had started to mature and he was being continuously sought out as such, whether being commissioned by Michigan State University’s Wharton Center for the Performing Arts, or by HBO’s “Sex and the City”, or by Marian McPartland. In 2006, she asked him to be the pianist on the Marian McPartland & Friends NPR Jazz Christmas CD, on the song “The Moon on Christmas Eve,” which he co-composed with Kathryn Williams. And an audio/photo book “A Day in New York” (Ear Books/Edel Music), which solicited 8 of Vana’s compositions and recordings, had become a bestseller in Europe.
Besides touring worldwide with his own projects, as well as producing various artists, Vana has collaborated extensively with the internationally acclaimed vocalist Ute Lemper in the last few years. He co-produced and co-arranged on her recent CD’s, including writing orchestral arrangements. In 2011, Wynton Marsalis invited Vana to be a guest pianist with the Lincoln Center Jazz Orchestra and her. They performed for 3 nights at Jazz at Lincoln Center's Rose Hall.
The enormous travel, sharing his musical and other languages with audiences and musicians all over the world, has had a profound influence on Vana’s writing and playing, which has all come full circle on “Making Memories.” On this CD, Spanish, Middle Eastern, Brazilian, African, and Gypsy elements are getting mixed up seamlessly with jazz, sometimes all in one single piece of music. This happens so naturally, one only hears the sound of Vana’s language.
Awards:Oct. 25th, 2004, Vana received the “National Performance Activity Award” from SESAC (Performing Rights Organization) for his composition Healing In Foreign Lands on #1 Album, Paganini: After A Dream, which he also co-produced and musical directed. 2003 Outstanding Achievement In Songwriting Award in the Great American Song Contest for an original Christmas jazz song entitled ‘Tis the Season of the Year” (co-written with Kathryn Williams). 2003, named a semi-finalist in the International Songwriting Competition (ISC) for his composition “Low Features” from his release “A New Day.” There were 11,000 entries from all over the world. The judges for jazz were Pat Metheny, Arif Mardin and Bruce Lundvall. Awarded “Best Live Performance, 1994″ in Europe with Will Downing under Vana Gierig’s musical direction. 1986 Award from the Boston Jazz Society for “Outstanding Achievements in Jazz“.
This is an album of great beauty and elegance.” London Jazz Review (of Vana’s new CD Making Memories)
Imagine recombining the musical DNA of Herbie, Keith, and Chick with a samba band and you’ve got a notion of what piano phenom Werner “Vana” Gierig’s latest CD is like. What makes the CD (A New Day) a multi-play for me is an abundance of fresh compositional brainstorms for revitalizing the piano trio. No moment is rote; and even the brash experiments are elegant. I’d steal all his good ideas if I had virtuosic technique. Keyboard Magazine
The beauty of the bunch was Vana’s sublime melody “Healing In Foreign Lands”, recorded on his first CD, Small Regrets, and rendered as a divine piano-violin encounter on Carter’s recent album Paganini: After A Dream. The song with its melodic line stated simply, proved to be the highlight of the set and a luminous testimony to Gierig’s sizable [...] talent. Downbeat Magazine
“Werner “Vana” Gierig, on the other hand, feels sure enough of his abilities to compose songful, optimistic melodies and subject them to subtle yet ingenious transformations. [...] His attitude and skill make Vana’s new album, A New Day (Twinz), his second effort as a leader, a rare and happy thing indeed. [...] The [Brazilian] influence (and the percussion) shows up in songs like “Gatinha Sabidinha (Wise Little Cat),” which bumps with witty squeaks, and “Mating Call,” based on a slowed-down samba fragment played with impressive swagger. [...] when the themes return, they carry new and different weights: a tweaked harmony here and a slightly altered timbre there on “Choice of Words”, for example, make for some unexpected evolutions. And bright improvisations by Gierig and company always show up somewhere to enliven the texture. [...] “If something tragic happens,” Gierig explains, tentatively, “hopefully something new will be able to grow out of it, something positive.” As admirable as that attitude is, it’s difficult to make it convincing, but Gierig does it here just as he does on the rest of A New Day. JazzTimes Magazine
The Vana Trio is a tight knit group that has been together for some time, which showed in their musical communication on stage. Vana - alternating melodic lyricism with more aggressive rhythmic and harmonic tension building - was a musical sorcerer brewing potions with the trio that lead to many exciting high points throughout the performance. His colorful register- spanning right-hand runs seemed effortless which only added to their hypnotic effect. His original compositions are moving and full of beautiful transformations. And while he got himself into daring improvisations with the trio, he never lost sight of the composition itself, bringing melodies back with new and different weight. Drummer Gene Jackson added unique rhythmic grooves to Vana's music and played with beautiful intensity and sensitivity, and bassist Sean Conly whose interpretation of Brazilian music is as flawless as that of more traditional jazz, provided the perfect grounding between piano and drums. The intense, moving and elegant presence of Vana and his trio is unique, and I strongly recommend going to see and hear them wherever you can catch them next.... Roberta on the Arts
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New York, NY
Willing to teach:
Intermediate to advanced students
taught privately for many years piano, harmony, improvisation re-harmonization techniques in improvisation $75/hour
different formats depending on circumstances (age group of kids or students, type of school or college, etc.)