Born: March 10, 1963 Primary Instrument: Trombone
Scott Whitfield (trombonist, composer, arranger, and vocalist) is internationally recognized for his work with many contemporary big bands, including the Toshiko Akiyoshi Jazz Orchestra and the new edition of Johnny Griffin’s Big Soul Band, as well as his own Scott Whitfield Jazz Orchestras (East and West). Whitfield’s discography includes 7 recordings as leader and more than 50 recordings with other artists. In addition to his own recordings, his compositions and arrangements have been performed and recorded by such artists as Diva, Maurice Hines, The Pied Pipers, Bill Allred’s Classic Jazz Band, and Pete Petersen’s 23-strong Collection Jazz Orchestra.
A clinician and guest artist for Bach Stradivarius trombones, Whitfield has appeared throughout the world, from Australia to Zurich, sharing his expertise on trombone technique, improvisation, composition, arranging, and jazz history. He was featured as guest soloist with the United States Army Blues Jazz Ensemble at the 2007 Eastern Trombone Workshop. His transcription book “The J.J. Johnson Collection” (published by Hal Leonard) has inspired not only trombonists, but also jazz improvisers on many instruments, young and old.
Upon settling in New York in 1993, Whitfield became a member of the Nat Adderley Sextet, which also included Jimmy Cobb, Walter Booker, Vincent Herring and Rob Bargad. The group’s engagements at Sweet Basil led to fruitful associations with Nnenna Freelon, Frank Wess, Lionel Hampton, Wayne Andre, and many others. Whitfield has also performed in many Broadway show orchestras, and backed the likes of Robert Goulet, Rita Moreno, Marilyn McCoo, Vic Damone, Jack Jones, and Frank Sinatra, Jr. Most recently, he was part of the orchestra at the Hollywood Bowl for a special seventieth birthday tribute to Nancy Wilson, which also featured Nnenna Freelon, Patti Austin, James Ingram, Tom Scott, Terence Blanchard, Natalie Cole, and a host of others.
Whitfield served on the jazz faculty at Rutgers University from 1998 to 2002, teaching trombone, composition and arranging, and improvisation, while also coordinating the school’s combo program. During this period, one of his composition students placed third in a worldwide field of contestants in the Thad Jones International Jazz Composition Competition.
The Scott Whitfield Jazz Orchestra (first founded in 1986, while Whitfield was pursuing his Master’s degree at North Texas State University) now has two incarnations: the SWJO East, based in New York; and the SWJO West, based in Los Angeles. Both of these aggregations feature the top players in the business.
For more than a year, the Scott Whitfield Jazz Orchestra East was in residence at New York’s Birdland, the Jazz Corner of the World, culminating in the exciting “Live at Birdland” CD, released in April 2004 on Summit Records. “The Minute Game,” featuring the SWJO West, was released in February 2005, and features Whitfield’s groundbreaking composition “Hiccups.” Most recently, “Diamonds For Nat,” released in February 2006, is a special 75th Birthday tribute to Whitfield’s mentor, the late Nat Adderley, featuring the SWJO East once again. The CD skyrocketed to number five in jazz radio airplay in its third week!
Whitfield’s latest creative venture pairs him with vocalist and lyricist Ginger Berglund, celebrating the art of the duet in an act known simply as “Ginger & Scott.” The two have already garnered rave reviews for their new CD “Dreamsville,” and have also been compared with Jackie Cain and Roy Kral. Be sure to visit www.OfficialGingerAndScott.com on the web.
Although Scott Whitfield makes his home in Los Angeles, he continues to commute to New York for appearances. His playing, writing, and singing has been compared to that of some of his biggest influences, including Carl Fontana, Frank Rosolino, Thad Jones, Sammy Nestico, Mel Torme, and Jack Jones.
Yes, I Have No 4-Beat Today! 1995, Nippon Crown: CRCJ-9132 (TBN)
Four Seasons Of Morita Village; 1996, BMG (Japan): BVCJ-638 (TBN)
Monopoly Game; 1998, BMG (Japan): BVCJ-31003 (TBN)
Tribute To Duke Ellington; 1999, BMG (Japan): BVCJ-34005 (TBN)
Hiroshima - Rising From The Abyss; 2001, Videoarts Music: VACM-1189 (TBN)
Allred, Bill, Classic Jazz Band
Red Hot Sessions; 1994, Sunjazz: CD330 (ARR)
Swing Riot! 1995, Sunjazz: CD440 (ARR)
Meet Me Where They Play The Blues; 1997, Sunjazz: CD0045 (ARR)
Versatility; 1999, Sunjazz: CD0050 (ARR)
Lean Mean Swing Machine; 2001, Sunjazz: CD0060 (ARR)
The Classic Swing Collection; 2002, Sunjazz: CD0065 (ARR)
2 The Max; 2003, Sunjazz: CD0070 (ARR)
Live At The Blazer! 1998, Sovereign: CDSOV-506 (TBN)
Overnight Success; 1993, M.A. Records (TBN, ARR)
My Shining Hour; 2005, Consolidated Artists Productions (CAP 992). TBN, VOC.
Swingin' with Legends; 1998, Early Autumn Productions, Inc.: RJA6670 (TBN)
Leave It To Diva; 1997, DIVA Ltd.: CD-079602 (ARR)
I Believe In You; 1999, DIVA Ltd. (ARR)
Live in Concert; 2002, Arbors. (ARR)
DMP Big Band
Glenn Miller Project; 1996, DMP: CD-519 (TBN, ARR, VOC)
DMP Big Band Salutes Duke Ellington; 1997, DMP: CD-520 (TBN, ARR)
Listen; 1994, Columbia: CK 64323 (TBN)
Look No Further; 1999, A Records: AL 73182 (TBN)
Extreme Heat; 2003, Longann Records 2000: CD274 (TBN)
Manhattan Vocal Project, The
When We Meet Again; 1996, MVP (VOC, TBN, CP, ARR, CD, PD)
Singin' With The Big Bands; 1994, Arista: 07822-18771-2 (TBN)
My Favorite Colors; 1997, Nippon Crown: CRCJ-9141 (TBN)
North Texas State University Jazz Singers
High Wire; 1987, Mark Records: MJS-57621 (TBN)
NTSU One O'Clock Lab Band
With Respect To Stan; 1986, North Texas Lab Band Records: LA8601-NS (TBN)
Lab '86; 1986, North Texas Lab Band Records: LA8602-NS (TBN, CP, ARR)
Live In Australia; 1987, North Texas Lab Band Records: LI8701-NS (TBN)
Lab '87; 1987, North Texas Lab Band Records: LA8701-NS (TBN, CP, ARR)
Pendenza, John, and the Boulevard Big Band
A Night On The Boulevard; 2000, Little Pearl (TBN)
Petersen, Pete, and the Collection Jazz Orchestra
Playin' In The Park; 1985, Chase Music Group: CMD 8019 (TBN)
Straight Ahead; 1988, Chase Music Group: CMD 8020 (CP, ARR)
Night And Day; 1996, Chase Music Group: CMD 8046 (CP, ARR)
Pied Pipers, The
Dream; 2001, Courtney Records: CACD 7101 (VOC, TBN, ARR, CD)
Pratt Brothers Big Band, The
16 Men & A Chick Singer Swingin' ; 2004, Consolidated Artists Productions CAP 985 (TBN)
Groovy Encounters; 1997, Amosaya Music: AM-2532-CD (TBN)
This Is Living! 1997, Chartmaker Records: PDP 14480 (TBN)
University Of North Texas One O'Clock Lab Band
Lab '89; 1989, North Texas Jazz: LA8901-NS
North Texas Jazz: Fifty Years; 1997, North Texas Jazz: LA9702-NS (TBN, CP,
Roots; 1999, Astor Place: TCD 4010 (TBN)
Serendipity; 1989, SW: SW-1 (TBN, CP, ARR, CD, PD)
To Be There; 1997, Amosaya Music: AM-2533-CD (TBN, CP, ARR, PD)
Hiding In Plain Sight; 2001, Amosaya Music: AM-2549-CD (TBN, CP, ARR, PD)
Live at Birdland; 2004, Summit Records: SU-390-CD (TBN, VOC, CP, ARR, PD)
The Minute Game; 2005, Summit Records: SU-408-CD (TBN, VOC, CP, ARR, PD)
Diamonds for Nat; 2006, Summit Records: SU-437-CD (TBN, VOC, CP, ARR, PD)
Groovin' to Marty Paich; 2005, SW: Jazzed Media: JM1005 (TBN)
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