Primary Instrument: Sax, tenor
When you play, your music must groove enough to make your soul dance. When you play, your music must groove enough to make everyones soul dance with yours. Paraphrased from the great pianist Donald Brown who John Ricci quoted on his debut jazz quartet CD release: Holding Time.
Combining the culture of his Argentine roots and background in a musical family with a deep study of saxophone influences such as John Coltrane, Ben Webster, Stan Getz, Michael Brecker, Branford Marsalis and Mark Turner, John Ricci draws together soulful, hard swinging and harmonically modern and rhythmically diverse elements to his compositions and arrangements.
John Ricci has been a performer, jazz educator, composer, and clinician in the North Florida area for over eleven years. John attended the jazz studies program at the University of Tennessee Knoxville where he was mentored directly by internationally recognized saxophonist and jazz pedagogue Jerry Coker and former Art Blakey Jazz Messenger Donald Brown. He then attended Florida State University earning a Masters of Music in Jazz Studies under a teaching assistantship. In that time he performed with Blue Note Trumpeter Marcus Printup and at Preservation Hall in New Orleans. He has received many awards including a Downbeat Magazine award in 1995. John has since performed with a myriad of top recording artists and regularly in numerous club dates spanning from New York to Savannah, He’s performed locally as a tenor saxophone soloist with the Jacksonville Symphony Pops Orchestra, the Four Tops, The Temptations, and in festivals including Chijazz Festival in Singapore, as a regular performer in the Jacksonville Jazz Festival, the Savannah Jazz Festival, as a guest artist with pianist/composer Donald Brown in the Knoxville Jazz Festival, and was invited to headline the Inaugural Jacksonville jazz Series with his own quartet. most recently, John opened for Julian Lage with his popular trio to head the Riverside Fine Arts Series, a highly prestigious concert series hosted in Riverside, Jacksonville.
John’s CD Holding Time received high critical acclaim, and is a debut release of some of his own very inspired compositions and arrangements and includes some of the finest musicians in the southeast. And in January 2009, John was judged the winner of the jazz song category of the 8th Annual Independent Music Awards. John has taught at the University of North Florida assisting legendary saxophonist Bunky Green, and is now Director of Jazz Studies at Jacksonville University in Jacksonville, FL. He can be found performing regularly in the Northeast Florida region.
Awards:John was judged the winner of the jazz song category of the 8th Annual Independent Music Award with "Mode Time" in January 2009.
Saxophonist/educator John Ricci comes out swinging for his debut recording Holding Time. The Jacksonville University Professor of Jazz Studies combines original compositions and arrangements of standards for an intriguing set of mainstream jazz.
The disc opens in vigorous fashion with the up-tempo Mode Time, a perfect minor key workout for Ricci's robust tenor tone. The saxophonist weaves together a tight-knit solo, heavy on thematic development. Pianist Joshua Bowlus follows Ricci with a sweltering solo turn. The mood is lightened somewhat on the floating waltz Ballerina. Here, Ricci is able to comfortably display his edgy, vibrato-laden phrasing, which straddles traditional swinging ideals and contemporary influences.
The relatively straight reading of Here's That Rainy Day, done as a quasi-samba, has accessible leanings and features a stand-out solo by bassist Billy Thornton. Ricci's full sweep of his horn's range, emphasizing his extensive bop vocabulary, is impressive.
The bouncy title track swings with a deep pocket courtesy of Thornton and drummer Peter Miles. The hard-swinging momentum sets up inspired solo turns by Bowlus and Ricci. The haunting lyricism of Slow Tango contrasts nicely with the down and dirty blues of Ben Webster's Bounce Blues, the session closer. The latter reveals the influence of not only the tune's composer, but of modern interpreters like Branford Marsalis.
Ricci is a convincing voice in the increasingly overcrowded world of jazz saxophone. His integrity and passion toward the advancement of his musical vision is evident throughout.
JAZZCHICAGO.NET Review of HOLDING TIME
Review by Brad Walseth
Tenor saxophonist John Ricci lists Wayne Shorter, Branford Marsalis, Mark Turner, Joe Henderson, John Coltrane and Ben Webster as his biggest saxophone influences, and this impressive group of Jazz royalty is certainly to be found as elements in this young player’s sound. Ricci studied with Jerry Coker and former Jazz Messenger Donald Brown, who he considers a mentor. He later taught at Florida State University and the University of North Florida as an assistant professor assisting Bunky Green, and is now the Director of Jazz Studies at Jacksonville University. The saxophonist/composer has played and recorded with people like Marcus Printup, Angel Roman and Rebecca Zapen, performs at festivals and clubs and has won numerous awards. Holding Time is Ricci’s entertaining debut release and features four original compositions as well as two standards.
Recorded live with no overdubs, Holding Time showcases Ricci’s impressive mastery of his horn and his well-schooled compositional ability. Backed by a trio of UNF Jazz Program grads: pianist Joshua Bowlus, bassist Billy Thornton and drummer Peter Miles, the overall feel is very traditional straight-ahead, but with modern harmonic touches. The quartet are obviously comfortable with each other and play with a joyous abandon that makes for enjoyable listening.
Mode Time opens things up swinging hard and showcases Ricci, sweet and melodic, even while burning (I especially love his unexpected held notes), over a rhythm section that charges ahead unstoppably. Bowlus also adds a savory solo on this fun tune. Proving he can write (and play!) the ballads as well. Ballerina is a lovely slow waltz with a memorable melodic theme. Pianist Bowlus is given a rewarding spotlight turn, and Ricci’s sensitive work entirely avoid the maudlin cliches that often mar ballad work. Instead his lines rise and drift gracefully and are worth revisiting to cherish their intricacies. Meanwhile, the swinging version of the Van Huesen/Burke chestnut Here’s That Rainy Day is one of the highlights, with a nice bass solo, solid drum work and some of Ricci’s hottest playing.
The original title track shows Ricci taking the traditional and successfully bending it into a modern harmonic direction, while Slow Tango is a nod to the artist’s Argentinean cultural roots that is sultry and shimmering. The album ends on a high note with the delightful Ben Webster tune, Bounce Blues. Ricci kills on this tune that will have even the most undemonstrative listener head bopping and toe tapping. Holding Time is an impressive debut from a young saxophonist/composer whom I hope we hear much more from in the future.
Tracks: Mode Time, Ballerina, Here's That Rainy Day, Holding Time, Slow Tango, Bounce Blues
Personnel: John Ricci: Tenor Saxophone, Joshua Bowlus: Piano, Billy Thornton: Bass, Peter Miles: Drums
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