Primary Instrument: Piano
The craft of composition has been a part of Guillermo Klein’s life since his childhood in Argentina. Klein’s father presented him with a piano when he turned 11 years old and, inspired by the legendary Argentinean composer Astor Piazzolla, he promptly began his experimentation with writing songs.
Klein left Argentina to attend Berklee College of Music after hearing a moving speech by the former dean Gary Burton about his relationship working with Piazzolla. Klein intended to study classical music on his arrival but found himself among peers that were passionate about jazz.
The music of Wayne Shorter provided the bridge from classical to jazz studies...
Source: Bret Sjerven / Sunnyside Records
Some albums are simply a collection of discrete songs; others are broader works where the whole is truly greater than the sum of its parts. With Una Nave, Argentinean pianist Guillermo Klein has created a boldly sweeping album that transcends its individual components. While these sixteen pieces can be assessed in terms of stylistic roots, specific performances, and compositional élan, these considerations are really secondary to the greater impact they have when experienced as a 66-minute whole. - John Kelman, All About Jazz
...this is the rare CD where plentiful musical variety only gives an impression of hungry and far-reaching giftednessnot arrogant hubris or lack of focus. - Paul Olson, All About Jazz
Guillermo Klein, Una Nave (Sunnyside, 2005)
Guillermo Klein/Los Gauchos, Live in Barcelona (Fresh Sound New Talent, 2005)
Guillermo Klein/Los Gaunchos, Los Gauchos III (Sunnyside, 2002)
Guillermo Klein/Los Gaunchos, Los GauchosII (Sunnyside, 1999)
Guillermo Klein, El Minotauro (Candid, 1997)
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