Born: March 13, 1968 Primary Instrument: Saxophone
soprano and tenor saxophones, laptop and MIDI wind controller
An early taste for heavy metal led through Beethoven to the weightier end of modern composition (with oboe playing along the way). Over-exposure to computer music whilst living in California and Paris led to temporary breadwinning as a software engineer but more importantly the skills to develop a range of computer music techniques from real-time digital instruments to self-contained algorithmic composition environments. Michael lives in Edinburgh and is active as a composer and performer playing saxophones, laptop, and MIDI wind controller.
Bands: lapslap: http://www.lapslap.net
electric cowboy cacophony: http://www.sumtone.com/ecc.php
Last Updated: May 8, 2009
There are passages, as on “Nailed” for piano and computer, where Lapslap
evoke some of the very best of the early musique concrete productions
of the Pierre Schaeffer circle, wile in part of “Honk” for tenor sax,
piano and electronics, the spirit of Stockhausen hovers, though some
visceral Broetzmann-style outbursts justifying the title) sweep
everything else aside and go some way to preparing the ears for the
flurry of Industrial noise on the next track, “Hungry”, for piano and
two computers. Elsewhere, in “Motor Mouth” for example, there is some
good old mainstream Fire Music, with shades of Archie Shepp and Cecil
Taylor. This sequence of contrasts gives some indication of the
group’s tactic of constantly unsettling your expectations.
Barry Witherden, Wire 298