Born: February 2, 1979 Primary Instrument: Bass
Last Updated: May 16, 2013Exceptional creativity, brilliant musicianship and compositional intensity are what bassist/composer Michael Janisch is all about JazzTimes
powerful, Charles Mingus-informed playing —All About Jazz
Seeing Michael Janisch play jazz bass is a tonic in itself. He doesn’t tickle or stroke the instrument, like so many European players, he masters it, the notes always dead centre in pitch, round in tone, and prefaced with a ’thunk’ that has the force of a drum-stroke. —The Telegraph
brilliantly imaginative player, a force of nature —JazzWise
Janisch is one of the few bass players out there who plays both electric and upright with equal facility, passion and musicality. —Bass Musician Magazine
One of the UK's most exciting new Improvisers with percussive, Mingus-like power —The Guardian
...Janisch seizes the instrument with a blend of speed and energy as if he wants to be melody, harmony and rhythm all at once. — The Telegraph (UK)
...the London-based American bassist Michael Janisch, whose virtuosity has put him in the UK's top jazz flight since his arrival in 2005...is having an impact beyond his hard-driving bass-playing. —John Fordham, Jazz UK
“always hip, melodic, and bouncy” —The Times of London
Michael Janisch was a powerful, driving presence all night, but his speed, fluency, imagination and dextrous mastery of such a hulking instrument was really remarkable — The Left Lion, Nottingham
Michael Janisch Leader Discography
2008: The TransAtlantic Collective (Co-Leader)
http://www.whirlwindrecordings.com/traveling-song/
Featuring:
Patrick Cornelius, Alto Saxophone
Quentin Collins, Trumpet
Kristjan Randalu, Piano
Michael Janisch, Double Bass
Paul Wiltgen, Drums
2010: Purpose Built (Debut Solo Album)
http://www.whirlwindrecordings.com/purpose-built/
Featuring:
Jason Palmer, Trumpet
Paul Booth, Tenor Saxophone
Walter Smith III, Tenor Saxophone
Patrick Cornelius, Alto Saxophone
Mike Moreno, Guitar
Phil Robson, Guitar
Aaron Goldberg, Piano
Jim Hart, Vibraphone
Michael Janisch, Electric & Double Bass
Johnathan Blake, Drums
2013: BANNED IN LONDON (Co-Leader)
Featuring The Aruan Ortiz & Michael Janisch Quintet:
http://www.whirlwindrecordings.com/banned-in-london/
Aruan Ortiz, Piano
Michael Janisch, Double Bass
Greg Osby, Saxophone
Raynald Colom, Trumpet
Rudy Royston, Drums
Disclaimer: All About Jazz is not responsible for the accuracy of the discographical data at the website(s) provided. If a link is no longer valid, please contact discography@allaboutjazz.com. Thank you.
Primary Instrument:
Bass
Willing to teach:
Advanced students only.
Credentials/Background:
Michael Janisch is as dedicated to music education as he is to performance and composition. He currently works as a visiting Jazz Acoustic Bass and Ensembles Instructor at The Royal Academy of Music, Trinity College of Music, Middlesex University, and The Guildhall School of Music. He has given many workshops, masterclasses and private lessons extensivetly across the UK, Mainland Europe, his native United States, Singapore and Indonesia.
Over the last decade, many of Michael's students have become professional bassists, or have went on to study at institutions such as the Berklee College of Music in Boston, the New School in NYC, The Royal Academy of Music, Guildhall and Trinity Colleges in London.
Michael is available for workshops, masterclasses, or individual lessons while on tour (schedule permitting), for ALL instrumentalists (not just bassists) or in his studio based in Southwest London, just south of Wimbledon. He specializes in acoustic and electric bass technique, fundamentals, jazz and improvised music. Lessons are generally 2 hours in length. 'One-off' lessons are welcomed as well (i.e. if you are in the London area for a week, and want a one-time lesson).
Areas of focus in the private lessons involve:
Bass/Jazz History, and the study of key players
sound development, and other related issues
technique exercises for electric and acoustic bass
arco technique for the acoustic bass, as well as 'thumb' position studies
developing stamina, posture, and other physical issues associated with playing the bass, plus exercises aimed at injury prevention
developing improvised walking bass lines for jazz
jazz harmony, scale studies
sight reading, with focus aimed at developing the ability to read music and play music at the same time(some people 'read' great, but they are not 'making music' while their head is in the chart...)
concentrated work on groove, time, and developing a strong consistant pulse, for all instrumentalists
composition
playing free, rubato, and other ideas for being expressive
odd meters and ways to internalize them
Ear Training Exercises
Improvising topics such as rhythmic variation, harmonic sophistication, idea and motive development, flow, staying in the moment, developing one's own ideas and language, etc., plus many other issues that arrise at the lesson.
Clinic/Workshop Information:
Michael Janisch's workshops focus on topics including musical entrepreneurship, ensemble performance, composition, improvisation, group interaction, and rhythm section guidance.






















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