Primary Instrument: Band/orchestra
Jaga Jazzist has become something of a musical phenomenon in Norway since they started 15 years ago. Not only is this 9 piece instrumental band regarded as one of the most exciting and innovative in Norway, the members are all involved in other musical projects and have in one way or another contributed to almost every significant recording to come out of that part of the world in the last few years. It has been this strong involvement with different projects, and different musical styles and sounds which is the key to the unique sound of Jaga Jazzist. With no boundaries and an arsenal that includes trumpet, trombone, electric guitars, bass, tuba, bass clarinet, saxophones, keyboards, vibraphone and a rack of electronics, Jaga Jazzist create timeless music. Melodic, hypnotizing, delicate and subtle.
Jaga Jazzist started out in Tonsberg (a small town outside Oslo) in 1994 at which time Lars Horntveth (the main songwriter in Jaga) was only 14 years old! In 2001 they released their debut album, A Livingroom Hush on Warner in Scandinavia to massive critical acclaim and great sales (the album sold over 15000 copies in Norway alone..). The band then signed a deal for the rest of the world through Oslo`s Smalltown Supersound. Throughout 2002 the band shocked fans and critics alike with their blistering live shows and the buzz resulted in sold out dates all over Europe and the band soon came to the attention of Ninja Tune who did a license/collaboration deal with Smalltown Supersound.
At the same time that their debut album was gaining more and more international success, Jaga recorded the follow up titled The Stix, their first for Ninja Tune. As with their first album it was produced by Norwegian superproducer Jørgen Træen the man behind Duper Studios in Bergen (home of Røyksopp, Kings of Convenience, Sondre Lerche et.al.) but this time Jaga wanted to push their musical limits even further and really create a sound they could genuinely call Jaga Jazzist. It was the perfect balance between (hu)man and machine, and it never lost the organic nature of a live 10 piece.
After heavy touring next came their most radical What We Must album, the result of the band going into an isolated studio out in the Norwegian woods and recording the demo now known as the Spydeberg Session. Put down in one take in one day, it was a breakthrough moment for the group. A sound that was closer to their live sound than ever before. It was their rock album. But of course Jaga's own kaleidoscopic take on rock stylings, rolling from early '90s British shoegazer guitar pop to '70s prog rock, all shot through with Jaga's own unique logic.
And now this takes us to their 6th album, One Armed Bandit, released in January 2010. Lars Horntveth began writing the music in early 2008. Alongside two new band members Ùystein Moen-keys and Stian Westerhus-Guitar, Jaga rented a house in the Swedish forest to rehearse new material. It could be said that it was a reaction to What We Must. It does include the rock stylings of What We Must and the electronics of The Stix, but is still very much looking forward with a new sound. The breakthrough moment was the track One Armed Bandit, the first single from the album of the same name. Taking influence from the afro-beat stylings of Fela Kuti but funneled through their own style. The Wagner-esque fanfares and arpeggios are intended to sound like slot machines. And this Wagner meets Fela Kuti sound became a kind of theme of the album. In December 2008 the band went to Cabin Recorders to record the album with Jørgen Træen, a man who had been a big factor in forming Jaga's music since A Livingroom Hush and The Stix, Unfortunately after 3 weeks Træen got tinnitus. Jaga quickly thought of John McEntire of Tortoise fame. He was enthusiastic about mixing it and in April 2009, 3 members of the band went to Soma Studio in Chicago to mix the album. Interestingly one day the Norwegian garage jazz band The Thing were playing at a local jazz club. Jaga went down there with a microphone and laptop and recorded what was to be the intro of the album.
At heart of this collective is a restless soul, going in many directions at the same time, but always going forward. Fast. The band always pushing their boundaries, both personal and musical. That is why they are impossible to categorize. And that's why they're special. Jaga is something natural and beautiful. A necessity. For both them and us.
The influences: Many comparisons have been made about Jaga Jazzist and their music; from Soft Machine, Eric Satie, John Coltrane and Charles Mingus to acts like Aphex Twin, Stereolab, Squarepusher, Isotope 217 and Tortoise. One thing is for sure; Jaga Jazzist`s sound draws influences from the whole.
The band themselves cites these as important influences: Jean-Claude Vannier, Cornelius, Jon Balke & The Magnetic North, The Flaming Lips, Wilco, Robert Wyatt, Jim O' Rourke, John Fahey, Radiohead, Charles Mingus, MGMT, Elephant 9, Colin Blunstone, Dr. John, Steve Reich, Sonic Youth, Supersilent, Eleni Karandrui, Woody Allen, Michel Gondry, John Szwed, Sun RA, Oslo 13, Jøkleba, Van Dyke Parks, David Lynch, Yma Zumac, Dungen, Can, Tortoise, Fleet Foxes, Bjørk, Motorpsycho, Magnet, Miles Davis & Gil Evans, Bruce Springsteen, Beck, The Mars Volta, Sigúr Ros, The Notwist, My Bloody Valentine, Bernard Herrmann, Angelo Badalamenti, Air, Jonny Greenwood, Kronos Quartet, Sir Dupermann, Jr Ewing, Rufus Wainwright, Antony & The Johnsons, Huntsville, The Beatles, Björn Isfält, Benny Anderson, Billy Cobham, Mahavishnu Orchestra, Mike Oldfield, Destiny's Child, Justin Timberlake, Stevie Wonder, Jamie Lidell, Public Enemy, Beastie Boys, Todd Rundgren, NWA, De La Soul, Dum Dum Boys, Dire Straits, Missy Elliott, Keith Jarrett, Elton John, Susanna & the Magical Orchestra, Dolly Parton, Thomas Dybdahl, Beyoncé, Bigbang, Kim Hiorthøy, Aimee Mann, Ennio Morricone, Pluramon, Martin Hagfors, The Carpenters, The Allman Brothers Band, David Bowie, Phil Collins, A-ha, America, The Bangles, Beach Boys, Busta Rhymes, Dead Kennedys, Emmylou Harris, Mercury Rev, Gabriel Fauré, Shining, In The Country, Brad Mehldau, Astor Piazzolla, The Band, Johnny Cash, Leonard Cohen, Michael Jackson, Thom Hell, Bo Hansson, The Neptunes, Nick Drake, Sly & The Family Stone, Arthur Russel, Spiritulized, M83, Outkast, Deathprod, Phoenix, Burt Bacharach & Elvis Costello, KILLL, Adjágas, Allison Krauss & Union Station, The Arcade Fire, John Adams, Bauer, The Lionheart Brothers, 120 Days, Carter Burwell, Curtis Mayfield, Justice, Feist, Happy Mondays, Ride, Money Mark, The Stone Roses, Joni Mitchell, Kaada, Kate Bush, Mark Mothersbaugh, Midlake…
Like Charles Mingus with the Aphex Twin up his arse. Delectable. Sleazenation
… a feast of infectious beats and exciting arrangements delicately resolved with nuance to produce a variety of atmospheric pleasures The Wire
Performing much of One-Armed Bandit at Molde, Jaga Jazzist's mélange of rock energy, jazz vernacular, minimalistic tendencies, episodic composition, expansive instrumentation and electronic manipulation has never sounded better. Not since 1970s British progsters Gentle Giant has there been a group combining so many multi-instrumentalists, playing music so complex and ever-shifting that it's a paradoxically exhausting yet exhilarating experience just trying to keep up with who's playing what. AllAboutJazz.com
One-Armed Bandit (2010)
What We Must (2005)
Day EP (2004)
Motorpsycho + Jaga Jazzist Horns (2003)
Animal Chin EP (2003)
The Stix (2002)
Airborne/Going Down EP (2001)
A Living Room Hush (2001)
Magazine EP (1998) Magazine (1994)
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